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September 28, 2021 by t - 0 comments

[CALL FOR SUBMISSIONS] The Write to Power Special FeatureΒ 

July 11, 2021 by t - 0 comments

[CALL FOR SUBMISSIONS] The Auditory Cortex Special Feature (2021-2022)

December 3, 2021 by t - 0 comments

[REVIEW] “Fiona Hawthorne and Kowloon Walled City” by Susan Blumberg-Kason

November 16, 2021 by t - 0 comments

[REVIEW] β€œRoughness of Thought: A Review of Tahi Saihate’s π΄π‘ π‘‘π‘Ÿπ‘Žπ‘™ π‘†π‘’π‘Žπ‘ π‘œπ‘›, π΅π‘’π‘Žπ‘ π‘‘π‘™π‘¦ π‘†π‘’π‘Žπ‘ π‘œπ‘›β€ by Maks Sipowicz

November 15, 2021 by t - 0 comments

[ANNOUNCEMENT] Cha’s 2021 Hawker Prize Nominations

October 12, 2021 by t - 0 comments

[REVIEW] “A Historically Cosmopolitan, Mixed Culture: π»π‘œπ‘’ π»π‘ π‘–π‘Žπ‘œ-π»π‘ π‘–π‘’π‘›β€˜π‘  π‘Šπ‘œπ‘Ÿπ‘™π‘‘ π‘œπ‘“ π‘‡π‘Žπ‘›π‘” πΆβ„Žπ‘–π‘›π‘Žβ€ by Jeff Tompkins

October 4, 2021 by t - 0 comments

[REVIEW] “We Shall Have to Learn How to Live with Ghosts: A Review of John Minford’s π»π‘œπ‘›π‘” πΎπ‘œπ‘›π‘” πΏπ‘–π‘‘π‘’π‘Ÿπ‘Žπ‘‘π‘’π‘Ÿπ‘’ π‘†π‘’π‘Ÿπ‘–π‘’π‘ ” by Douglas Kerr

October 2, 2021 by t - 0 comments

[REVIEW] β€œThe Desire to Be Free and the Desire to Be Good: Nicholas Wong’s 𝐡𝑒𝑠𝑖𝑒𝑔𝑒 𝑀𝑒” by Liam Blackford

September 30, 2021 by t - 0 comments

LOVE: Tammy Lai-Ming Ho

September 29, 2021 by t - 0 comments

LOVE: Michael O’Sullivan

September 26, 2021 by t - 0 comments

LOVE: Chris Song

September 26, 2021 by t - 0 comments

LOVE: Jason S Polley

September 22, 2021 by t - 0 comments

LOVE: Ting Guo

September 22, 2021 by t - 0 comments

LOVE: Oliver Farry

September 22, 2021 by t - 0 comments

LOVE: Heidi Huang

September 22, 2021 by t - 0 comments

[EXCLUSIVE] LOVE: Ilaria Maria Sala

September 22, 2021 by t - 0 comments

LOVE: Lian-Hee Wee

September 16, 2021 by t - 0 comments

[REVIEW] “Myriad Powers of Words: Duo Duo’s π‘Šπ‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘  πΊπ‘Ÿπ‘Žπ‘–π‘›” by Liang Luo

September 12, 2021 by t - 0 comments

[EXCLUSIVE] Four New Translations of Noriko Ibaragi by Andrew Houwen and Peter Robinson

September 5, 2021 by t - 1 Comment

[REVIEW] “In Search of the Extraordinary in the Ordinary: A Review of Ho Chee Lick and Anne Lee Tzu Pheng’s πΆπ‘œπ‘šπ‘šπ‘œπ‘› 𝐿𝑖𝑓𝑒 and Elaine Woo’s 𝑃𝑒𝑑 π‘Œπ‘œπ‘’π‘Ÿ π»π‘Žπ‘›π‘‘ 𝑖𝑛 𝑀𝑖𝑛𝑒” by Stephanie Studzinski

September 5, 2021 by t - 0 comments

[REVIEW] “A Glimpse into Mongolia: π‘†π‘’π‘›π‘π‘Ÿπ‘Žπ‘›π‘’π‘  π‘Žπ‘›π‘‘ π‘‚π‘‘β„Žπ‘’π‘Ÿ π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ ” by Sarah KΓΆksal

August 12, 2021 by t - 0 comments

[EXCLUSIVE] Parting, Travel, and the Great Roc: Poems of Li Bai, Newly Translated by Brian Holton

August 9, 2021 by t - 0 comments

[REVIEW] “Building Their Own Universes: A Review of Xuan Juliana Wang’s π»π‘œπ‘šπ‘’ π‘…π‘’π‘šπ‘’π‘‘π‘–π‘’π‘ ” by Suyin Haynes

August 5, 2021 by t - 0 comments

[REVIEW] “The Heterogeneity of the Vast Chinese Community: Grace Chia’s π‘‡β„Žπ‘’ π΄π‘Ÿπ‘β„Žπ‘’π‘  π‘œπ‘“ πΊπ‘’π‘Ÿπ‘Ÿπ‘Žπ‘Ÿπ‘‘ π‘†π‘‘π‘Ÿπ‘’π‘’π‘‘” by Queenie Au

August 3, 2021 by t - 0 comments

[REVIEW] “Not Her Story: Jia Zhangke’s π΄π‘ β„Ž 𝐼𝑠 π‘ƒπ‘’π‘Ÿπ‘’π‘ π‘‘ π‘Šβ„Žπ‘–π‘‘π‘’” by Michael Tsang

July 25, 2021 by t - 0 comments

[FEATURE] Six Poems by Duo Duo and Translated by Lucas Klein in π‘Šπ‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘  πΊπ‘Ÿπ‘Žπ‘–𝑛

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  • [REVIEW] "Fiona Hawthorne and Kowloon Walled City" by Susan Blumberg-Kason
    [REVIEW] "Fiona Hawthorne and Kowloon Walled City" by Susan Blumberg-Kason
  • [REVIEW] "Peripheral Visions: π»π‘œπ‘œπ‘˜ π‘Žπ‘›π‘‘ 𝐸𝑦𝑒: π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘“π‘Ÿπ‘œπ‘š π‘‘β„Žπ‘’ π‘€π‘Žπ‘Ÿπ‘”π‘–π‘›π‘ " by Isabelle Lim
    [REVIEW] "Peripheral Visions: π»π‘œπ‘œπ‘˜ π‘Žπ‘›π‘‘ 𝐸𝑦𝑒: π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘“π‘Ÿπ‘œπ‘š π‘‘β„Žπ‘’ π‘€π‘Žπ‘Ÿπ‘”π‘–π‘›π‘ " by Isabelle Lim
  • [CALL FOR SUBMISSIONS] The Write to Power Special FeatureΒ 
    [CALL FOR SUBMISSIONS] The Write to Power Special FeatureΒ 
  • "Reading The Line of Beauty" by Tammy Lai-Ming Ho
    "Reading The Line of Beauty" by Tammy Lai-Ming Ho
  • [REVIEW] "Teo You Yenn's This is What Inequality Looks Like" by Wei Ting Jen
    [REVIEW] "Teo You Yenn's This is What Inequality Looks Like" by Wei Ting Jen
  • [REVIEW] "Memories, Stories: Eileen R Tabios's Amnesia: Somebody's Memoir and Lawrence Lacambra Ypil's The Experiment of the Tropics" by AlanaΒ LeilaniΒ Teves Cabrera-Narciso
    [REVIEW] "Memories, Stories: Eileen R Tabios's Amnesia: Somebody's Memoir and Lawrence Lacambra Ypil's The Experiment of the Tropics" by AlanaΒ LeilaniΒ Teves Cabrera-Narciso
  • [REVIEW] "A Story of Many Faces: Bernice Chauly’s Once We Were There" by Maheen Haider
    [REVIEW] "A Story of Many Faces: Bernice Chauly’s Once We Were There" by Maheen Haider
  • [REVIEW] "Dissecting Love and Language through Audrey Chin's Nine Cuts and Desmond Kon Zhicheng-MingdΓ©'s Babel via Negativa" by Stephanie Studzinski
    [REVIEW] "Dissecting Love and Language through Audrey Chin's Nine Cuts and Desmond Kon Zhicheng-MingdΓ©'s Babel via Negativa" by Stephanie Studzinski
  • [REVIEW] "Brave New China: Zak Dychtwald's π‘Œπ‘œπ‘’π‘›π‘” πΆβ„Žπ‘–π‘›π‘Ž: π»π‘œπ‘€ π‘‘β„Žπ‘’ 𝑅𝑒𝑠𝑑𝑙𝑒𝑠𝑠 πΊπ‘’π‘›π‘’π‘Ÿπ‘Žπ‘‘π‘–π‘œπ‘› π‘Šπ‘–π‘™π‘™ πΆβ„Žπ‘Žπ‘›π‘”π‘’ π‘‡β„Žπ‘’π‘–π‘Ÿ πΆπ‘œπ‘’π‘›π‘‘π‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘‘β„Žπ‘’ π‘Šπ‘œπ‘Ÿπ‘™π‘‘" by Emma Zhang
    [REVIEW] "Brave New China: Zak Dychtwald's π‘Œπ‘œπ‘’π‘›π‘” πΆβ„Žπ‘–π‘›π‘Ž: π»π‘œπ‘€ π‘‘β„Žπ‘’ 𝑅𝑒𝑠𝑑𝑙𝑒𝑠𝑠 πΊπ‘’π‘›π‘’π‘Ÿπ‘Žπ‘‘π‘–π‘œπ‘› π‘Šπ‘–π‘™π‘™ πΆβ„Žπ‘Žπ‘›π‘”π‘’ π‘‡β„Žπ‘’π‘–π‘Ÿ πΆπ‘œπ‘’π‘›π‘‘π‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘‘β„Žπ‘’ π‘Šπ‘œπ‘Ÿπ‘™π‘‘" by Emma Zhang
  • [REVIEW] β€œBefore We Know How It Will End: A Review of Michael O’Sullivan’s πΏπ‘œπ‘π‘˜π‘‘π‘œπ‘€π‘› πΏπ‘œπ‘£π‘’π‘Ÿπ‘ β€ by Susan Blumberg-Kason
    [REVIEW] β€œBefore We Know How It Will End: A Review of Michael O’Sullivan’s πΏπ‘œπ‘π‘˜π‘‘π‘œπ‘€π‘› πΏπ‘œπ‘£π‘’π‘Ÿπ‘ β€ by Susan Blumberg-Kason




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