July 23, 2021 by t - 0 comments [REVIEW] “Noir Fables of Tibet: Tsering Döndrup’s The Handsome Monk and Other Stories” by Michael Tsang
July 20, 2021 by t - 0 comments [REVIEW] “Lamentable Conditions and the Decrepit Body: A Review of Kang Kyeong-ae’s The Underground Village” by Suhasini Patni
July 18, 2021 by t - 0 comments [REVIEW] “Poetry Blossoms Everywhere: A Review of Hong Kong Without Us” by Michael Tsang
July 16, 2021 by t - 0 comments [REVIEW] “An Unapologetic, Proud Celebration of Paiwan Identity: Sakinu Ahronglong’s Hunter School” by Serena De Marchi
July 11, 2021 by t - 0 comments [EXCLUSIVE] “Entering a State of No-Self: Some Thoughts on Poetry and Translation” by Chris Song
July 8, 2021 by t - 0 comments [EXCLUSIVE] “Familial Love in 𝑂𝑚𝑚𝑎, 𝑆𝑒𝑎 𝑜𝑓 𝐽𝑜𝑦 𝑎𝑛𝑑 𝑂𝑡ℎ𝑒𝑟 𝐴𝑠𝑡𝑟𝑜𝑙𝑜𝑔𝑖𝑐𝑎𝑙 𝑆𝑖𝑔𝑛𝑠” by Bo Schwabacher
July 5, 2021 by t - 0 comments [REVIEW] “Canonical Stories, Replacement Texts: A Review of The Japanese Discovery of Chinese Fiction” by Tim Murphy
July 4, 2021 by t - 0 comments [REVIEW] “Lashing Out: A Review of Tahi Saihate’s Astral Season, Beastly Season” by Ari Santiago
June 29, 2021 by t - 0 comments [REVIEW] “The Plight of the Homeless in Japan: A Review of Yū Miri’s Tokyo Ueno Station” by James Au Kin-Pong
June 20, 2021 by t - 0 comments [EXCLUSIVE] “Woman, Arise!” by J.C. (First Place Winner—World Poetry Day Competition 2021)
June 20, 2021 by t - 0 comments [EXCLUSIVE] “Palm Sunday” by C.L. (Second Place Winner—World Poetry Day Competition 2021)
June 20, 2021 by t - 0 comments [EXCLUSIVE] “Sinners” by John Outsider (Third Place Winner—World Poetry Day Competition 2021)
June 14, 2021 by t - 2 Comments [REVIEW] “Before We Know How It Will End: A Review of Michael O’Sullivan’s Lockdown Lovers” by Susan Blumberg-Kason
June 14, 2021 by t - 0 comments [REVIEW] “Cantonese Opera as Collective Imagination: A Review of Yeng Pway Ngon’s Costume” by Frances An
June 9, 2021 by t - 0 comments [FEATURE] Lucas Klein’s Introduction to Duo Duo’s Words as Grain + “The Force of Forging Words”
June 3, 2021 by t - 0 comments [REVIEW] “Layered Spaces: A Review of Chi Ta-wei’s The Membranes” by Serena De Marchi
May 29, 2021 by t - 0 comments [EXCLUSIVE] “Literal and Metaphorical Lockdown: On Writing Lockdown Lovers” by Michael O’Sullivan
May 17, 2021 by t - 0 comments [FEATURE] “Love in the Time of Coronavirus: Postscript and Ten Poems” by Ho Fuk Yan
May 15, 2021 by t - 0 comments [REVIEW] “No Absolutes: A Review of Daryl Lim Wei Jie’s A Book of Changes” by Wong Yang
May 14, 2021 by t - 0 comments [REVIEW] “The Centre of the Universe: A Review of Stephen Griffiths’s The Kowloon English Club” by Susan Blumberg-Kason
May 8, 2021 by t - 0 comments [REVIEW] “Hong Kong’s Unstable Fault Lines: A Review of Aftershock” by Jennifer Anne Eagleton
May 7, 2021 by t - 0 comments [REVIEW] “Amid Corrupt Cultural Landscapes: A Review of The Making and Remaking of China’s Red Classics” by Frances An
April 29, 2021 by t - 0 comments [REVIEW] “Identity is a Constant Negotiation and Struggle for a Self-Worth Fighting For: A Review of Jason Erik Lundberg’s A Fickle and Restless Weapon” by Quenntis Ashby
April 28, 2021 by t - 0 comments [REVIEW] “A Bittersweet Reminder: Reviewing Rabbit in the Moon” by Karen Ma
