September 28, 2021 by t - 0 comments

[CALL FOR SUBMISSIONS] The Write to Power Special Feature 

July 11, 2021 by t - 0 comments

[CALL FOR SUBMISSIONS] The Auditory Cortex Special Feature (2021-2022)

September 20, 2022 by t - 0 comments

[REVIEW] “Weirdness Unfulfilled: Choi Jin-young’s 𝑇𝑜 𝑡ℎ𝑒 𝑊𝑎𝑟𝑚 𝐻𝑜𝑟𝑖𝑧𝑜𝑛” by Michael Tsang

September 20, 2022 by t - 0 comments

[REVIEW] “Quintessential Singlit? Wesley Leon Aroozoo’s 𝑇ℎ𝑒 𝑃𝑢𝑛𝑘ℎ𝑎𝑤𝑎𝑙𝑎 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑃𝑟𝑜𝑠𝑡𝑖𝑡𝑢𝑡𝑒” by Michael Tsang

September 16, 2022 by t - 0 comments

[REVIEW] “𝐴𝑟𝑖𝑠𝑒 𝑂𝑢𝑡 𝑜𝑓 𝑡ℎ𝑒 𝐿𝑜𝑐𝑘: On Resistance, Connection, and Enchantment” by Sharyn Phu

September 15, 2022 by t - 0 comments

[REVIEW] “𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝑃𝑜𝑒𝑡𝑟𝑦 𝑎𝑛𝑑 𝑇𝑟𝑎𝑛𝑠𝑙𝑎𝑡𝑖𝑜𝑛: A Multi-Angled Overview of What Happens When Worlds Collide” by Cyril Camus

September 14, 2022 by t - 0 comments

[EXCLUSIVE] “Q & A” by Miho Kinnas and E. Ethelbert Miller

September 11, 2022 by t - 0 comments

[REVIEW] “A Psychoanalytical Auto-fictional Biography of a City: Perhat Tursun’s 𝑇ℎ𝑒 𝐵𝑎𝑐𝑘𝑠𝑡𝑟𝑒𝑒𝑡𝑠” by Serena De Marchi

September 2, 2022 by t - 0 comments

[REVIEW] “Beyond Birth, Blood, and Soil: Reading Louisa Lim’s 𝐼𝑛𝑑𝑒𝑙𝑖𝑏𝑙𝑒 𝐶𝑖𝑡𝑦” by Emma Zhang

September 1, 2022 by t - 0 comments

[REVIEW] “Stories Grow in Hong Kong: A Review of 𝑂𝑓 𝐹𝑜𝑟𝑒𝑠𝑡𝑠 𝑎𝑛𝑑 𝐻𝑢𝑚𝑎𝑛𝑠” by Astrid Møller-Olsen

September 1, 2022 by t - 0 comments

[REVIEW] “Dream-like Reality: Phoebe Tsang’s 𝑆𝑒𝑡𝑡𝑖𝑛𝑔 𝐹𝑖𝑟𝑒 𝑡𝑜 𝑊𝑎𝑡𝑒𝑟” by Aerith Au

May 26, 2022 by t - 0 comments

[REVIEW] “The Women Behind the Hindu Myths: Koral Dasgupta’s 𝐴ℎ𝑎𝑙𝑦𝑎 and 𝐾𝑢𝑛𝑡𝑖” by Sharyn Phu

May 26, 2022 by t - 0 comments

[REVIEW] “The Numbing Funk of Desire: On Yan Ge’s 𝑇ℎ𝑒 𝐶ℎ𝑖𝑙𝑙𝑖 𝐵𝑒𝑎𝑛 𝑃𝑎𝑠𝑡𝑒 𝐶𝑙𝑎𝑛” by Kyle Muntz

April 20, 2022 by t - 0 comments

[REVIEW] “A Parable of the Eccentric Sower: Duo Duo’s 𝑊𝑜𝑟𝑑𝑠 𝑎𝑠 𝐺𝑟𝑎𝑖𝑛” by Joanna Krenz

April 17, 2022 by t - 0 comments

[EXCLUSIVE] “Returned Home for Christmas after Years of Absence: A Personal Reflection and a Tale” by Elmer Omar Bascos Pizo

April 16, 2022 by t - 0 comments

[REVIEW] “The Buried Past Revealed: Reading 𝑀𝑎𝑛𝑐ℎ𝑢𝑘𝑢𝑜 𝑃𝑒𝑟𝑠𝑝𝑒𝑐𝑡𝑖𝑣𝑒𝑠” by Yu Müller

April 16, 2022 by t - 0 comments

[EXCLUSIVE] “Catching Fish” by Kamayani Sharma

April 9, 2022 by t - 1 Comment

[REVIEW] “An Intellectual Exchange: A Review of 𝐸𝑑𝑜 𝐽𝑎𝑝𝑎𝑛 𝐸𝑛𝑐𝑜𝑢𝑛𝑡𝑒𝑟𝑠 𝑡ℎ𝑒 𝑊𝑜𝑟𝑙𝑑” by James Kin Pong Au

March 30, 2022 by t - 0 comments

[REVIEW] “Fiona Sze-Lorrain: Poetry and Translations” by Elizabeth Chung

March 16, 2022 by t - 1 Comment

[EXCLUSIVE] “The Yellow Chair” by Madeleine Slavick

February 27, 2022 by t - 3 Comments

[FEATURE] “Human Rights and Literature: USSR, Post-soviet Ukraine, and Russia”, a Lecture by Andrei Kurkov

February 23, 2022 by t - 0 comments

[REVIEW] “Quietly Radical: Xi Xi’s 𝑁𝑜𝑡 𝑊𝑟𝑖𝑡𝑡𝑒𝑛 𝑊𝑜𝑟𝑑𝑠” by Kyle Muntz

February 20, 2022 by t - 0 comments

[REVIEW] “Existential Capsules and Cusps in Yeng Pway Ngon’s 𝐿𝑜𝑛𝑒𝑙𝑦 𝐹𝑎𝑐𝑒” by Frances An

February 17, 2022 by t - 0 comments

[REVIEW] “Divination, Philosophy, and Change: 𝑇ℎ𝑒 𝑂𝑟𝑖𝑔𝑖𝑛𝑎𝑙 𝑀𝑒𝑎𝑛𝑖𝑛𝑔 𝑜𝑓 𝑡ℎ𝑒 Yijing: 𝐶𝑜𝑚𝑚𝑒𝑛𝑡𝑎𝑟𝑦 𝑜𝑛 𝑡ℎ𝑒 𝑆𝑐𝑟𝑖𝑝𝑡𝑢𝑟𝑒 𝑜𝑓 𝐶ℎ𝑎𝑛𝑔𝑒” by Tim Murphy

February 8, 2022 by t - 0 comments

[REVIEW] “Culture Is That Which Appropriates: A Review of Liang Luo’s 𝑇ℎ𝑒 𝐺𝑙𝑜𝑏𝑎𝑙 𝑊ℎ𝑖𝑡𝑒 𝑆𝑛𝑎𝑘𝑒” by Noah Arthur Weber

January 5, 2022 by t - 0 comments

[REVIEW] “A Rich Tapestry for Tomorrow’s Beijingers: A Review of 𝑇ℎ𝑒 𝑊𝑒𝑑𝑑𝑖𝑛𝑔 𝑃𝑎𝑟𝑡𝑦” by Susan Blumberg-Kason

December 17, 2021 by t - 1 Comment

[REVIEW] “Shockingly Direct and Heterodox: Mang Ke’s 𝑂𝑐𝑡𝑜𝑏𝑒𝑟 𝐷𝑒𝑑𝑖𝑐𝑎𝑡𝑖𝑜𝑛𝑠” by David Harrison Horton