September 9, 2018 by t - 0 comments [Review] The Asian American Elite’s Victory: Crazy Rich Asians in Print and on Screen
September 8, 2018 by t - 0 comments “Reflection on Teaching Refugee Women for Christian Action Centre for Refugees” by Kate Rogers
August 29, 2018 by t - 0 comments [Review] Connections: The Infinite Library and Other Stories and This is How You Walk on the Moon
August 28, 2018 by t - 0 comments “Traditional Poetry vs Performance Poetry Justice Centre Seminar Reflection” by Akin Jeje
August 26, 2018 by t - 0 comments [Review] Shubigi Rao’s Pulp: A Short Biography of the Banished Book Volume I of V
August 26, 2018 by t - 0 comments [Review] A Tame Paradise: Dans Quel Sens Tombent Les Feuilles and From Walden to Woodlands
August 21, 2018 by t - 0 comments [Review] She Walks like a Free Country: Amanda Chong’s Professions and Jennifer Anne Champion’s Caterwaul
August 19, 2018 by t - 0 comments [Review] Dissecting Love and Language through Audrey Chin’s Nine Cuts and Desmond Kon Zhicheng-Mingdé’s Babel via Negativa
August 19, 2018 by t - 0 comments [Review] Multiple Narratives of Truth: Living with Myths in Singapore and State of Emergency
August 19, 2018 by t - 0 comments One-Day Literary Writing Lodge in Hong Kong Voices (15 December 2018)
August 17, 2018 by t - 0 comments [Review] “Behold the Facelessness Behind False-Face”: Flirting with Desire in Grace Chia’s The Wanderlusters
August 13, 2018 by t - 0 comments [Review] The Potential of the Poet: Cheryl Julia Lee’s We Were Always Eating Expired Things
August 11, 2018 by t - 0 comments [Review] Stories for the Unseen: Kirstin Chen’s Bury What We Cannot Take and Suchen Christine Lim’s The Man Who Wore His Wife’s Sarong
August 9, 2018 by t - 0 comments [Review] The Rise of Queer Singaporean Sci-Fi: Kevin Martens Wong’s Altered Straits and JY Yang’s Tensorate Series
