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February 2, 2023 by t - 0 comments

[CALL FOR SUBMISSIONS] Xi Xi: Can We Say—A Special Feature

September 28, 2021 by t - 0 comments

[CALL FOR SUBMISSIONS] The Write to Power Special Feature 

July 11, 2021 by t - 0 comments

[CALL FOR SUBMISSIONS] The Auditory Cortex Special Feature (2021-2023)

February 4, 2023 by t - 0 comments

[EXCLUSIVE] Eileen J. Cheng: “Lu Xun and Radical Art” and “Tombstone Inscriptions” 墓碣文

January 9, 2023 by t - 0 comments

[REVIEW] “Laughter of the Displaced: A Review of Gish Jen’s 𝑇ℎ𝑎𝑛𝑘 𝑌𝑜𝑢, 𝑀𝑟. 𝑁𝑖𝑥𝑜𝑛” by Emma H. Zhang

January 4, 2023 by t - 0 comments

[REVIEW] “What Does It Mean to Be a Feminist in China? Reviewing 𝐹𝑒𝑚𝑖𝑛𝑖𝑠𝑚𝑠 𝑤𝑖𝑡ℎ 𝐶ℎ𝑖𝑛𝑒𝑠𝑒 𝐶ℎ𝑎𝑟𝑎𝑐𝑡𝑒𝑟𝑖𝑠𝑡𝑖𝑐𝑠” by X. H. Collins

December 12, 2022 by t - 0 comments

[ARCHIVE] “Thoughts of Trains; Trains of Thought” by Jeff Zroback

December 10, 2022 by t - 0 comments

[ARCHIVE] “Better Housekeeping” by Jeff Zroback

December 7, 2022 by t - 0 comments

[ARCHIVE] “Some Other Life” by Jeff Zroback, Tammy Lai-Ming Ho, Eddie Tay, and Royston Tester

December 6, 2022 by t - 0 comments

[ARCHIVE] “Under the Moon, Under the Rain-Hat” by Jeff Zroback

November 30, 2022 by t - 0 comments

[ARCHIVE] “The Year of the Shoe” by Jeff Zroback

November 28, 2022 by t - 0 comments

[ARCHIVE] “Time and Distance” by Jeff Zroback

November 25, 2022 by t - 0 comments

[ARCHIVE] “The Family Album” by Jeff Zroback

November 24, 2022 by t - 0 comments

[ARCHIVE] “𝐶ℎ𝑎: Some Thoughts on a Name” by Tammy Lai-Ming Ho and Jeff Zroback

November 23, 2022 by t - 0 comments

[ARCHIVE] “Why Start an Online Journal?” by Tammy Lai-Ming Ho and Jeff Zroback

November 16, 2022 by t - 0 comments

[REVIEW] “𝑆𝑡𝑟𝑎𝑛𝑔𝑒 𝐵𝑒𝑎𝑠𝑡𝑠 𝑜𝑓 𝐶ℎ𝑖𝑛𝑎: Harnessing 𝑍ℎ𝑖𝑔𝑢𝑎𝑖 and Magic Realism to Satirise Othering” by Cyril Camus

November 15, 2022 by t - 0 comments

[REVIEW] “Sifting Through The Rubble: Reading Philip Bowring’s 𝑇ℎ𝑒 𝑀𝑎𝑘𝑖𝑛𝑔 𝑜𝑓 𝑀𝑜𝑑𝑒𝑟𝑛 𝑃ℎ𝑖𝑙𝑖𝑝𝑝𝑖𝑛𝑒𝑠” by Jose Santos P. Ardivilla

October 27, 2022 by t - 0 comments

[EXCLUSIVE] “Being Born, Getting Old, Falling Sick, and Dying” (Wednesday 26 August 2020) by Chris Song, Translated by Tammy Lai-Ming Ho

October 26, 2022 by t - 0 comments

[EXCLUSIVE] “A Son of Hanoi” and “Tấm and the Peasant Farmer” by Kenneth Tanemura

October 26, 2022 by t - 0 comments

[EXCLUSIVE] “Workers’ Expression of Romance” (Monday 24 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

October 25, 2022 by t - 0 comments

[EXCLUSIVE] “Every Lovely Little Thing” (Tuesday 25 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

October 25, 2022 by t - 0 comments

[EXCLUSIVE] “That Moment Balances Fiction and Reality” (Friday 28 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

October 20, 2022 by t - 1 Comment

[REVIEW] “Toying With Lost Time: A Review of Three Poetry Collections from Landmark Books” by Cheng Tim Tim

October 18, 2022 by t - 0 comments

[EXCLUSIVE] “A Jellyfish Explains Life” by David Clarke

October 12, 2022 by t - 0 comments

[REVIEW] “Giving a Voice to Those With None: Karen Ma’s 𝐶ℎ𝑖𝑛𝑎’𝑠 𝑀𝑖𝑙𝑙𝑒𝑛𝑛𝑖𝑎𝑙 𝐷𝑖𝑔𝑖𝑡𝑎𝑙 𝐺𝑒𝑛𝑒𝑟𝑎𝑡𝑖𝑜𝑛” by X. H. Collins

September 20, 2022 by t - 0 comments

[REVIEW] “Weirdness Unfulfilled: Choi Jin-young’s 𝑇𝑜 𝑡ℎ𝑒 𝑊𝑎𝑟𝑚 𝐻𝑜𝑟𝑖𝑧𝑜𝑛” by Michael Tsang

September 20, 2022 by t - 0 comments

[REVIEW] “Quintessential Singlit? Wesley Leon Aroozoo’s 𝑇ℎ𝑒 𝑃𝑢𝑛𝑘ℎ𝑎𝑤𝑎𝑙𝑎 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑃𝑟𝑜𝑠𝑡𝑖𝑡𝑢𝑡𝑒” by Michael Tsang

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  • [CALL FOR SUBMISSIONS] Xi Xi: Can We Say—A Special Feature
    [CALL FOR SUBMISSIONS] Xi Xi: Can We Say—A Special Feature
  • [EXCLUSIVE] Eileen J. Cheng:  "Lu Xun and Radical Art" and "Tombstone Inscriptions" 墓碣文
    [EXCLUSIVE] Eileen J. Cheng: "Lu Xun and Radical Art" and "Tombstone Inscriptions" 墓碣文
  • About
    About
  • [REVIEW] "Peripheral Visions: 𝐻𝑜𝑜𝑘 𝑎𝑛𝑑 𝐸𝑦𝑒: 𝑆𝑡𝑜𝑟𝑖𝑒𝑠 𝑓𝑟𝑜𝑚 𝑡ℎ𝑒 𝑀𝑎𝑟𝑔𝑖𝑛𝑠" by Isabelle Lim
    [REVIEW] "Peripheral Visions: 𝐻𝑜𝑜𝑘 𝑎𝑛𝑑 𝐸𝑦𝑒: 𝑆𝑡𝑜𝑟𝑖𝑒𝑠 𝑓𝑟𝑜𝑚 𝑡ℎ𝑒 𝑀𝑎𝑟𝑔𝑖𝑛𝑠" by Isabelle Lim
  • What is London's colour?
    What is London's colour?
  • [CALL FOR SUBMISSIONS] The Auditory Cortex Special Feature (2021-2023)
    [CALL FOR SUBMISSIONS] The Auditory Cortex Special Feature (2021-2023)
  • [CALL FOR SUBMISSIONS] The Write to Power Special Feature 
    [CALL FOR SUBMISSIONS] The Write to Power Special Feature 
  • [REVIEW] “Lamentable Conditions and the Decrepit Body: A Review of Kang Kyeong-ae’s 𝑇ℎ𝑒 𝑈𝑛𝑑𝑒𝑟𝑔𝑟𝑜𝑢𝑛𝑑 𝑉𝑖𝑙𝑙𝑎𝑔𝑒” by Suhasini Patni
    [REVIEW] “Lamentable Conditions and the Decrepit Body: A Review of Kang Kyeong-ae’s 𝑇ℎ𝑒 𝑈𝑛𝑑𝑒𝑟𝑔𝑟𝑜𝑢𝑛𝑑 𝑉𝑖𝑙𝑙𝑎𝑔𝑒” by Suhasini Patni
  • [REVIEW] “Laughter of the Displaced: A Review of Gish Jen’s 𝑇ℎ𝑎𝑛𝑘 𝑌𝑜𝑢, 𝑀𝑟. 𝑁𝑖𝑥𝑜𝑛” by Emma H. Zhang
    [REVIEW] “Laughter of the Displaced: A Review of Gish Jen’s 𝑇ℎ𝑎𝑛𝑘 𝑌𝑜𝑢, 𝑀𝑟. 𝑁𝑖𝑥𝑜𝑛” by Emma H. Zhang
  • [REVIEW] “A Parable of the Eccentric Sower: Duo Duo’s 𝑊𝑜𝑟𝑑𝑠 𝑎𝑠 𝐺𝑟𝑎𝑖𝑛” by Joanna Krenz
    [REVIEW] “A Parable of the Eccentric Sower: Duo Duo’s 𝑊𝑜𝑟𝑑𝑠 𝑎𝑠 𝐺𝑟𝑎𝑖𝑛” by Joanna Krenz




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