Cha

Menu

Skip to content
  • Home
  • About & Contact
  • Cha Review of Books & Films
  • Cha Reading Series
  • Cha Writing Workshop Series
    • Workshops
  • Cha Voices Archive
  • Contests and Special Editions & Features
    • [FEATURE] LOVE: A Reading
    • [FEATURE] World Poetry Day Poetry Competition 2021
    • [FEATURE] Matches Polished into Lights: Tiananmen Thirty Years On

Category Archives: 2022 Entries

December 12, 2022 by t - 0 comments

[ARCHIVE] “Thoughts of Trains; Trains of Thought” by Jeff Zroback

December 10, 2022 by t - 0 comments

[ARCHIVE] “Better Housekeeping” by Jeff Zroback

December 7, 2022 by t - 0 comments

[ARCHIVE] “Some Other Life” by Jeff Zroback, Tammy Lai-Ming Ho, Eddie Tay, and Royston Tester

December 6, 2022 by t - 0 comments

[ARCHIVE] “Under the Moon, Under the Rain-Hat” by Jeff Zroback

November 30, 2022 by t - 0 comments

[ARCHIVE] “The Year of the Shoe” by Jeff Zroback

November 28, 2022 by t - 0 comments

[ARCHIVE] “Time and Distance” by Jeff Zroback

November 25, 2022 by t - 0 comments

[ARCHIVE] “The Family Album” by Jeff Zroback

November 24, 2022 by t - 0 comments

[ARCHIVE] “πΆβ„Žπ‘Ž: Some Thoughts on a Name” by Tammy Lai-Ming Ho and Jeff Zroback

November 23, 2022 by t - 0 comments

[ARCHIVE] “Why Start an Online Journal?” by Tammy Lai-Ming Ho and Jeff Zroback

November 16, 2022 by t - 0 comments

[REVIEW] β€œπ‘†π‘‘π‘Ÿπ‘Žπ‘›π‘”π‘’ π΅π‘’π‘Žπ‘ π‘‘π‘  π‘œπ‘“ πΆβ„Žπ‘–π‘›π‘Ž: Harnessing π‘β„Žπ‘–π‘”π‘’π‘Žπ‘– and Magic Realism to Satirise Othering” by Cyril Camus

November 15, 2022 by t - 0 comments

[REVIEW] β€œSifting Through The Rubble: Reading Philip Bowring’s π‘‡β„Žπ‘’ π‘€π‘Žπ‘˜π‘–π‘›π‘” π‘œπ‘“ π‘€π‘œπ‘‘π‘’π‘Ÿπ‘› π‘ƒβ„Žπ‘–π‘™π‘–π‘π‘π‘–π‘›π‘’π‘ β€ by Jose Santos P. Ardivilla

October 27, 2022 by t - 0 comments

[EXCLUSIVE] “Being Born, Getting Old, Falling Sick, and Dying” (Wednesday 26 August 2020) by Chris Song, Translated by Tammy Lai-Ming Ho

October 26, 2022 by t - 0 comments

[EXCLUSIVE] “A Son of Hanoi” and “TαΊ₯m and the Peasant Farmer” by Kenneth Tanemura

October 26, 2022 by t - 0 comments

[EXCLUSIVE] β€œWorkers’ Expression of Romance” (Monday 24 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

October 25, 2022 by t - 0 comments

[EXCLUSIVE] β€œEvery Lovely Little Thing” (Tuesday 25 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

October 25, 2022 by t - 0 comments

[EXCLUSIVE] β€œThat Moment Balances Fiction and Reality” (Friday 28 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

October 20, 2022 by t - 1 Comment

[REVIEW] β€œToying With Lost Time: A Review of Three Poetry Collections from Landmark Books” by Cheng Tim Tim

October 18, 2022 by t - 0 comments

[EXCLUSIVE] “A Jellyfish Explains Life” by David Clarke

October 12, 2022 by t - 0 comments

[REVIEW] “Giving a Voice to Those With None: Karen Ma’s πΆβ„Žπ‘–π‘›π‘Ž’𝑠 π‘€π‘–π‘™π‘™π‘’π‘›π‘›π‘–π‘Žπ‘™ π·π‘–π‘”π‘–π‘‘π‘Žπ‘™ πΊπ‘’π‘›π‘’π‘Ÿπ‘Žπ‘‘π‘–π‘œπ‘›” by X. H. Collins

September 20, 2022 by t - 0 comments

[REVIEW] β€œWeirdness Unfulfilled: Choi Jin-young’s π‘‡π‘œ π‘‘β„Žπ‘’ π‘Šπ‘Žπ‘Ÿπ‘š π»π‘œπ‘Ÿπ‘–π‘§π‘œπ‘›β€ by Michael Tsang

September 20, 2022 by t - 0 comments

[REVIEW] “Quintessential Singlit? Wesley Leon Aroozoo’s π‘‡β„Žπ‘’ π‘ƒπ‘’π‘›π‘˜β„Žπ‘Žπ‘€π‘Žπ‘™π‘Ž π‘Žπ‘›π‘‘ π‘‘β„Žπ‘’ π‘ƒπ‘Ÿπ‘œπ‘ π‘‘π‘–π‘‘π‘’π‘‘π‘’β€ by Michael Tsang

September 16, 2022 by t - 1 Comment

[REVIEW] β€œπ΄π‘Ÿπ‘–π‘ π‘’ 𝑂𝑒𝑑 π‘œπ‘“ π‘‘β„Žπ‘’ πΏπ‘œπ‘π‘˜: On Resistance, Connection, and Enchantment” by Sharyn Phu

September 15, 2022 by t - 0 comments

[REVIEW] “πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ π‘ƒπ‘œπ‘’π‘‘π‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘‡π‘Ÿπ‘Žπ‘›π‘ π‘™π‘Žπ‘‘π‘–π‘œπ‘›: A Multi-Angled Overview of What Happens When Worlds Collide” by Cyril Camus

September 14, 2022 by t - 0 comments

[EXCLUSIVE] “Q & A” by Miho Kinnas and E. Ethelbert Miller

September 11, 2022 by t - 0 comments

[REVIEW] “A Psychoanalytical Auto-fictional Biography of a City: Perhat Tursun’s π‘‡β„Žπ‘’ π΅π‘Žπ‘π‘˜π‘ π‘‘π‘Ÿπ‘’π‘’π‘‘π‘ ” by Serena De Marchi

Post navigation

Older posts
My Tweets

Top Posts

  • [Pinned post: CALL FOR SUBMISSIONS] Just Another Day
    [Pinned post: CALL FOR SUBMISSIONS] Just Another Day
  • [FEATURE] Two New Poems by Ko Ko Thett with Commentary
    [FEATURE] Two New Poems by Ko Ko Thett with Commentary
  • About
    About
  • [Pinned post: CALLS FOR SUBMISSIONS] First Impressions, Xi Xiβ€”Can We Say, Write to Power, Auditory Cortex, and pitches
    [Pinned post: CALLS FOR SUBMISSIONS] First Impressions, Xi Xiβ€”Can We Say, Write to Power, Auditory Cortex, and pitches
  • [REVIEW] β€œLamentable Conditions and the Decrepit Body: A Review of Kang Kyeong-ae’s π‘‡β„Žπ‘’ π‘ˆπ‘›π‘‘π‘’π‘Ÿπ‘”π‘Ÿπ‘œπ‘’π‘›π‘‘ π‘‰π‘–π‘™π‘™π‘Žπ‘”π‘’β€ by Suhasini Patni
    [REVIEW] β€œLamentable Conditions and the Decrepit Body: A Review of Kang Kyeong-ae’s π‘‡β„Žπ‘’ π‘ˆπ‘›π‘‘π‘’π‘Ÿπ‘”π‘Ÿπ‘œπ‘’π‘›π‘‘ π‘‰π‘–π‘™π‘™π‘Žπ‘”π‘’β€ by Suhasini Patni
  • [REVIEW] "The Hedgehog and the Worm: Gao Xingjian's π‘Šπ‘Žπ‘›π‘‘π‘’π‘Ÿπ‘–π‘›π‘” 𝑀𝑖𝑛𝑑 π‘Žπ‘›π‘‘ π‘€π‘’π‘‘π‘Žπ‘β„Žπ‘¦π‘ π‘–π‘π‘Žπ‘™ π‘‡β„Žπ‘œπ‘’π‘”β„Žπ‘‘π‘ " by Michael Ka-chi Cheuk
    [REVIEW] "The Hedgehog and the Worm: Gao Xingjian's π‘Šπ‘Žπ‘›π‘‘π‘’π‘Ÿπ‘–π‘›π‘” 𝑀𝑖𝑛𝑑 π‘Žπ‘›π‘‘ π‘€π‘’π‘‘π‘Žπ‘β„Žπ‘¦π‘ π‘–π‘π‘Žπ‘™ π‘‡β„Žπ‘œπ‘’π‘”β„Žπ‘‘π‘ " by Michael Ka-chi Cheuk
  • [REVIEW] "Impunity, Violence, and the Politics of Representation: Shehan Karunatilaka's π‘‡β„Žπ‘’ 𝑆𝑒𝑣𝑒𝑛 π‘€π‘œπ‘œπ‘›π‘  π‘œπ‘“ π‘€π‘Žπ‘Žπ‘™π‘– π΄π‘™π‘šπ‘’π‘–π‘‘π‘Ž" by Harshana Rambukwella
    [REVIEW] "Impunity, Violence, and the Politics of Representation: Shehan Karunatilaka's π‘‡β„Žπ‘’ 𝑆𝑒𝑣𝑒𝑛 π‘€π‘œπ‘œπ‘›π‘  π‘œπ‘“ π‘€π‘Žπ‘Žπ‘™π‘– π΄π‘™π‘šπ‘’π‘–π‘‘π‘Ž" by Harshana Rambukwella
  • [REVIEW] β€œPlay Pretend: Malcolm Mejin’s π‘‡β„Žπ‘’ π·π‘–π‘Žπ‘Ÿπ‘¦ π‘œπ‘“ π‘Ž π‘…π‘–π‘β„Ž 𝐾𝑖𝑑” by Frances An
    [REVIEW] β€œPlay Pretend: Malcolm Mejin’s π‘‡β„Žπ‘’ π·π‘–π‘Žπ‘Ÿπ‘¦ π‘œπ‘“ π‘Ž π‘…π‘–π‘β„Ž 𝐾𝑖𝑑” by Frances An
  • [FEATURE] π‘†β„Žπ‘œπ‘Ÿπ‘‘ π‘‡π‘œπ‘›π‘”π‘’π‘’: Translator's Foreword by Daryl Lim Wei Jie
    [FEATURE] π‘†β„Žπ‘œπ‘Ÿπ‘‘ π‘‡π‘œπ‘›π‘”π‘’π‘’: Translator's Foreword by Daryl Lim Wei Jie
  • "Tiananmen" by James Fenton
    "Tiananmen" by James Fenton




If you are interested in donating to Cha, please feel free to use PayPal. Our account is sighming@graduate.hku.hk

Create a website or blog at WordPress.com
  • Follow Following
    • Cha
    • Join 247 other followers
    • Already have a WordPress.com account? Log in now.
    • Cha
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...