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Category Archives: Cha Reading Series

July 30, 2020 by t - 0 comments

[EXCLUSIVE] “Writing COVID-19” by Oliver Farry

June 28, 2019 by t - 0 comments

[Cha Reading Series] Cantonese: The Language of Protest (Wednesday 24 July 2019)

June 2, 2019 by t - 0 comments

Kate Rogers

June 2, 2019 by t - 0 comments

Lian-Hee Wee

June 2, 2019 by t - 0 comments

Ng Mei Kwan

June 2, 2019 by t - 0 comments

William Nee

June 2, 2019 by t - 0 comments

Louisa Lim

June 2, 2019 by t - 0 comments

Guo Ting

June 2, 2019 by t - 0 comments

Jennifer Anne Eagleton

June 29, 2018 by t - 0 comments

Wilson Leung

June 29, 2018 by t - 0 comments

Akin Jeje

June 29, 2018 by t - 0 comments

Mary Shuk-han Wong

June 28, 2018 by t - 0 comments

Nashua Gallagher

June 28, 2018 by t - 0 comments

Dung Kai-cheung

June 28, 2018 by t - 0 comments

Patrick Poon

June 28, 2018 by t - 0 comments

Susan Lavender

June 28, 2018 by t - 0 comments

Michael O’Sullivan

June 28, 2018 by t - 0 comments

Ng Mei Kwan

June 28, 2018 by t - 0 comments

Lucas Klein

June 28, 2018 by t - 0 comments

Evelyn Char

June 28, 2018 by t - 0 comments

Lian-Hee Wee

June 28, 2018 by t - 0 comments

William Nee

June 6, 2018 by t - 0 comments

“On Sayang Singapura” by Karen Chan

September 20, 2017 by t - 0 comments

Announcing “Cha Reading Series”

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[REVIEW] "Peripheral Visions: Hook and Eye: Stories from the Margins" by Isabelle Lim
[REVIEW] "Teo You Yenn's This is What Inequality Looks Like" by Wei Ting Jen
Jeanette Winterson writes about Italo Calvino's "The Night Driver"
Cha Review of Books & Films
[EXCLUSIVE] "Kidnapping a Beloved Ancestor from Their Home Timeline: On Translating Chinese Poets from the Tang and Song Dynasties" by Joshua Ip
One-Day Literary Writing Lodge in Hong Kong Voices (15 December 2018)
[REVIEW] "Critical Social Commentary of Modern Japan: A Review of Yū Miri's Tokyo Ueno Station" by Susan Blumberg-Kason
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"A letter to my son written outside of Legco at 4 am, Wednesday Morning, June 12" by Jason G. Coe
[REVIEW] "Unambiguous Immediacy: A Review of Tash Aw's We, the Survivors" by Marc de Faoite

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