November 29, 2018 by t - 0 comments [Review] “Between Fiction and Reality: Jun’ichirō Tanizaki’s In Black and White” by James Au Kin-Pong
November 25, 2018 by t - 0 comments [Review] “Message from Translators of Little Reunions” by Jane Weizhen Pan and Martin Merz
November 24, 2018 by t - 0 comments [Review] In the Country Where I Live: Two Collections by Rochelle Potkar
November 18, 2018 by t - 0 comments [Review] “Chi Pang-yuan’s The Great Flowing River: A Memoir of China, from Manchuria to Taiwan” by Paoi Wilmer
November 18, 2018 by t - 0 comments [Review] There’s No Place Like Home: Nashua Gallagher’s All the Words a Stage
November 18, 2018 by t - 0 comments [Review] An Anatomy of Trauma: Jenna Le’s A History of the Cetacean American Diaspora
November 9, 2018 by t - 0 comments [Review] “Contemporary Chinese Short-Short Stories: A Parallel Text” by Maialen Marin-Lacarta
November 7, 2018 by t - 0 comments [Review] “On the New Translation of Eileen Chang’s Little Reunions” by Susan Blumberg-Kason
November 6, 2018 by t - 0 comments [Review] “Preserving the Unspoken Past: Su Tong’s Petulia’s Rouge Tin” by Ronald Torrance
November 4, 2018 by t - 0 comments [Review] “‘So punk in drublic’; or, ‘Stepping in her footprints to erase your being here’: Kawika Guillermo’s Stamped: An Anti-travel Novel” by Jason S Polley
