December 21, 2017 by t - 1 Comment [Review] Narrating Hong Kong Through the Handover: Guy Shirra’s The Accidental Prawn
December 19, 2017 by t - 3 Comments [Review] Capturing Disappearing Hong Kong: Liu Waitong’s Wandering Hong Kong with Spirits
December 18, 2017 by t - 0 comments [Review] Waltzing with Words: Viki Holmes’s Girls’ Adventure Stories of Long Ago
December 17, 2017 by t - 0 comments [Review] A Story About a Memory: Michael Kaan’s The Water Beetles
December 7, 2017 by t - 0 comments [Review] Karen Fang’s Arresting Cinema: Surveillance in Hong Kong Film
December 6, 2017 by t - 0 comments [Review] A Tale of Two Metropolises: Robert Gottlieb and Simon Ng’s Global Cities: Urban Environments in Los Angeles, Hong Kong, and China
December 3, 2017 by t - 0 comments [Review] The Weight of Lightness: Magnus Renfrew’s Uncharted Territory
December 1, 2017 by t - 1 Comment [Review] A City of Strangers: Dung Kai-Cheung’s Cantonese Love Stories
November 29, 2017 by t - 0 comments [Review] A Throwback to Hong Kong’s Golden Age: Chi Fat Chan’s Weeds on Fire
November 21, 2017 by t - 0 comments [Review] Ben Bland’s Generation HK: Seeking Identity in China’s Shadow
November 19, 2017 by t - 1 Comment [Review] Hong Kong in the Fifties: John Saeki’s The Tiger Hunters of Tai O
November 14, 2017 by t - 0 comments [Review] Impromptu Performances and Wild Exhibitions: Christopher DeWolf’s Borrowed Spaces: Life Between the Cracks of Modern Hong Kong
November 12, 2017 by t - 1 Comment [Review] A Leap of Faith: Joe Piscatella’s Joshua: Teenager vs. Superpower
November 6, 2017 by t - 0 comments [Review] A History of Hong Kong in Six Cases: Chan Ho-Kei’s The Borrowed
November 5, 2017 by t - 0 comments [Review] Between a Rock: Simon Cartledge’s A System Apart: Hong Kong’s Political Economy from 1997 until Now
