January 16, 2021 by t - 0 comments [REVIEW] “The Unconcealed Rebellion, Cynicism, Bravery and Romanticism of Being Painfully Young: Reviewing Strange Beasts of China” by Jacqueline Leung
January 15, 2021 by t - 0 comments [REVIEW] “Greenwashed: A Review of Eating Chilli Crab in the Anthropocene” by Alana Leilani Teves Cabrera-Narciso
January 15, 2021 by t - 0 comments [REVIEW] “Theories, Methods, Objects, and Localities: A Review of Method as Method” by Liang Luo
January 13, 2021 by t - 0 comments [REVIEW] “See How Much I Love You: Reviewing Travis S. K. Kong’s Oral Histories of Older Gay Men in Hong Kong” by Susan Blumberg-Kason
January 12, 2021 by t - 0 comments [REVIEW] “Building Bridges Across Both Countries and Cultures: A Review of Chinese Diaspora Charity and the Cantonese Pacific 1850-1949” by Joshua Bird
December 8, 2020 by t - 0 comments [REVIEW] “A Laboratory of Fine Imagery: Reviewing JinJin Xu’s There Is Still Singing in the Afterlife” by Vania Tabanelli
November 19, 2020 by t - 0 comments [REVIEW] “Hongwei Bao’s Queer China Under Neoliberalism with Socialist Characteristics” by Elaine Chiew
November 19, 2020 by t - 0 comments [REVIEW] “Psychological infiltration in Maoist Laughter” by Frances An
November 12, 2020 by t - 0 comments [REVIEW] “In-between the Inbetween: Jennifer Wong’s A Diary of a Miu Miu Salesgirl” by Anya Goncharova
November 10, 2020 by t - 0 comments [REVIEW] “At the Centre of the Arts: A Review of David Chaffetz’s Three Asian Divas” by Susan Blumberg-Kason
October 26, 2020 by t - 0 comments [REVIEW] “Trepidatious Yet Defiant: Tammy Lai-Ming Ho’s Too Too Too Too” by Aaron Chan
October 25, 2020 by t - 0 comments [REVIEW] “Quite Connected Centuries Ago: Reviewing Peter Gordon and Juan José Morales’s Painter and Patron” by Susan Blumberg-Kason
October 9, 2020 by t - 0 comments [REVIEW] “Fine Lines of Meteorology: Lan Lan’s Canyon in the Body” by Ash Dean
October 9, 2020 by t - 0 comments [REVIEW] “Subversive Truths: A Review of David Chaffetz’s Three Asian Divas” by Fathima M
October 5, 2020 by t - 0 comments [REVIEW] “A Cosmopolitan Breadth of Vision: A Review of Essays and Lectures on Indian Literature and Aesthetics” by Sucharita Dutta-Asane
September 30, 2020 by t - 0 comments [REVIEW] “Unique Strength of Hong Kong People: A Review of Antony Dapiran’s City on Fire” by Susan Blumberg-Kason
September 24, 2020 by t - 0 comments [REVIEW] “An Ever-present Labyrinth: Reviewing The Book of Shanghai” by Brian Haman
September 17, 2020 by t - 0 comments [REVIEW] “Experiments in Form: A Review of David Clark’s China-Art-Modernity” by Matt Turner
August 27, 2020 by t - 0 comments [REVIEW] “Into the White: A Review of Joshua Eric Williams’s The Strangest Conversation” by Phill Provance
August 24, 2020 by t - 0 comments [REVIEW] “A Profound Sense of Growth: Phill Provance’s A Plan in Case of Morning” by Quenntis Ashby
August 24, 2020 by t - 0 comments [REVIEW] “Ebbs and Flows of History: A Review of Christopher New’s Chinese Spring” by Kiran Bhat
August 20, 2020 by t - 0 comments [REVIEW] “The World for One Family: A Review of Jung Chang’s Big Sister, Little Sister, Red Sister” by Emma Zhang
August 20, 2020 by t - 0 comments [REVIEW] “The Art of Alienation: A Review of Tammy Lai-Ming Ho’s An Extraterrestrial in Hong Kong” by Phill Provance
August 19, 2020 by t - 0 comments [REVIEW] “Tales from Life and the Afterlife: Cyril Wong’s This Side of Heaven” by Amanda Chan
