February 27, 2021 by t - 0 comments [REVIEW] “Critical Social Commentary of Modern Japan: A Review of YΕ« Miri’s Tokyo Ueno Station” by Susan Blumberg-Kason
February 17, 2021 by t - 0 comments [REVIEW] βBildungsroman of a Singaporean Ordinary Joe: A Review of Chia Joo Mingβs Exile or Pursuit” by Elaine Chiew
February 15, 2021 by t - 0 comments [REVIEW] “A Stirring Tribute to Hong Kong: A Review of Leslie Shimotakahara’s Red Oblivion” by Susan Blumberg-Kason
February 14, 2021 by t - 0 comments [REVIEW] “Parallel and Intertwining Interpretations: Reviewing Sangeeta Bandyopadhyay’s The Yogini” by Marc de Faoite
February 11, 2021 by t - 0 comments [REVIEW] “Beyond Tired Old Boundaries: A Review of Method as Method” by Jennifer Anne Eagleton
February 10, 2021 by t - 0 comments [REVIEW] “Seeing Sounds and Tasting the Words: Reviewing Xi Xi’s Not Written Words” by Jennifer Anne Eagleton
February 2, 2021 by t - 1 Comment [REVIEW] “Underground resilience in Popular Memories of the Mao Era” by Frances An
January 29, 2021 by t - 0 comments [REVIEW] “Not Hardened Criminals: A Review of Patrician O’Sullivan’s Women, Crime and the Courts” by Susan Blumberg-Kason
January 26, 2021 by t - 0 comments [REVIEW] “Look at the Silence You See: A Review of Che Qianzi’s No Poetry” by Yu MΓΌller
January 20, 2021 by t - 0 comments [REVIEW] “Asymmetric and Unexpected: A Review of ππ‘πππππ π΅πππ π‘π ππ πΆβπππ” by Ari Santiago
January 19, 2021 by t - 0 comments [REVIEW] “The Expatriate, Itinerant Underclass: A Review of Stephen Griffiths’s The Kowloon English Club” by Andrew Barker
January 16, 2021 by t - 1 Comment [REVIEW] “The Unconcealed Rebellion, Cynicism, Bravery and Romanticism of Being Painfully Young: Reviewing ππ‘πππππ π΅πππ π‘π ππ πΆβπππ” by Jacqueline Leung
January 15, 2021 by t - 0 comments [REVIEW] “Greenwashed: A Review of Eating Chilli Crab in the Anthropocene” by Alana Leilani Teves Cabrera-Narciso
January 15, 2021 by t - 1 Comment [REVIEW] “Theories, Methods, Objects, and Localities: A Review of Method as Method” by Liang Luo
January 13, 2021 by t - 0 comments [REVIEW] “See How Much I Love You: Reviewing Travis S. K. Kong’s Oral Histories of Older Gay Men in Hong Kong” by Susan Blumberg-Kason
January 12, 2021 by t - 0 comments [REVIEW] “Building Bridges Across Both Countries and Cultures: A Review of Chinese Diaspora Charity and the Cantonese Pacific 1850-1949” by Joshua Bird
December 8, 2020 by t - 0 comments [REVIEW] “A Laboratory of Fine Imagery: Reviewing JinJin Xu’s There Is Still Singing in the Afterlife” by Vania Tabanelli
November 19, 2020 by t - 0 comments [REVIEW] βHongwei Bao’s Queer China Under Neoliberalism with Socialist Characteristicsβ by Elaine Chiew
November 19, 2020 by t - 1 Comment [REVIEW] “Psychological infiltration in Maoist Laughter” by Frances An
November 12, 2020 by t - 1 Comment [REVIEW] “In-between the Inbetween: Jennifer Wong’s A Diary of a Miu Miu Salesgirl” by Anya Goncharova
November 10, 2020 by t - 0 comments [REVIEW] “At the Centre of the Arts: A Review of David Chaffetz’s Three Asian Divas” by Susan Blumberg-Kason
October 26, 2020 by t - 0 comments [REVIEW] “Trepidatious Yet Defiant: Tammy Lai-Ming Hoβs Too Too Too Too” by Aaron Chan
October 25, 2020 by t - 0 comments [REVIEW] “Quite Connected Centuries Ago: Reviewing Peter Gordon and Juan JosΓ© Morales’s Painter and Patron” by Susan Blumberg-Kason
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