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Category Archives: Math Paper Press

November 24, 2020 by t - 0 comments

[REVIEW] “Too Too Too Too Is Not Too Much” by Lucas Klein

October 26, 2020 by t - 0 comments

[REVIEW] “Trepidatious Yet Defiant: Tammy Lai-Ming Ho’s Too Too Too Too” by Aaron Chan

July 8, 2019 by t - 0 comments

[REVIEW] “Why and How to Read Joshua Ip’s footnotes on falling” by Henrik Hoeg

May 27, 2019 by t - 0 comments

[REVIEW] “Jason Wee’s An Epic of Durable Departures” by Lindsay Shen

August 29, 2018 by t - 1 Comment

[REVIEW] Connections: The Infinite Library and Other Stories and This is How You Walk on the Moon

August 22, 2018 by t - 0 comments

[REVIEW] “Seemingly Undisputed Autonomy of the Lyric Ego: Alvin Pang’s What Happened” by Jerome Lim

August 21, 2018 by t - 0 comments

[REVIEW] She Walks like a Free Country: Amanda Chong’s Professions and Jennifer Anne Champion’s Caterwaul

August 19, 2018 by t - 0 comments

[Review] In Transit

August 19, 2018 by t - 0 comments

[REVIEW] “Dissecting Love and Language through Audrey Chin’s Nine Cuts and Desmond Kon Zhicheng-Mingdé’s Babel via Negativa” by Stephanie Studzinski

August 17, 2018 by t - 0 comments

[Review] Positions: Daryl Lim Wei Jie’s A Book of Changes

August 17, 2018 by t - 0 comments

[Review] “Behold the Facelessness Behind False-Face”: Flirting with Desire in Grace Chia’s The Wanderlusters

August 13, 2018 by t - 0 comments

[REVIEW] The Potential of the Poet: Cheryl Julia Lee’s We Were Always Eating Expired Things

August 13, 2018 by t - 0 comments

[Review] Pain and Desire: Jennifer Anne Champion’s Caterwaul

August 11, 2018 by t - 0 comments

[REVIEW] Preaching to the Queer: Ng Yi-Sheng’s A Book of Hims

August 7, 2018 by t - 0 comments

[Review] Samuel Lee’s A Field Guide to Supermarkets in Singapore

August 1, 2018 by t - 0 comments

[Review] I Am Not Your Creation: Grace Chia’s Mother of All Questions

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Top Posts

  • Jeanette Winterson writes about Italo Calvino's "The Night Driver"
    Jeanette Winterson writes about Italo Calvino's "The Night Driver"
  • [FEATURE] Two New Translations by Lucas Klein: Duo Duo and Bian Zhlin
    [FEATURE] Two New Translations by Lucas Klein: Duo Duo and Bian Zhlin
  • [REVIEW] "Peripheral Visions: Hook and Eye: Stories from the Margins" by Isabelle Lim
    [REVIEW] "Peripheral Visions: Hook and Eye: Stories from the Margins" by Isabelle Lim
  • [REVIEW] "Teo You Yenn's This is What Inequality Looks Like" by Wei Ting Jen
    [REVIEW] "Teo You Yenn's This is What Inequality Looks Like" by Wei Ting Jen
  • [FEATURE] "Wuhan Punk" by Alistair Noon
    [FEATURE] "Wuhan Punk" by Alistair Noon
  • [REVIEW] "The Love Songs of Dino Mahoney" by Kate Rogers
    [REVIEW] "The Love Songs of Dino Mahoney" by Kate Rogers
  • [REVIEW] Stories for the Unseen: Kirstin Chen's Bury What We Cannot Take and Suchen Christine Lim's The Man Who Wore His Wife's Sarong
    [REVIEW] Stories for the Unseen: Kirstin Chen's Bury What We Cannot Take and Suchen Christine Lim's The Man Who Wore His Wife's Sarong
  • [REVIEW] "A History of Hong Kong in Six Cases: Chan Ho-Kei's The Borrowed" by Douglas Kerr
    [REVIEW] "A History of Hong Kong in Six Cases: Chan Ho-Kei's The Borrowed" by Douglas Kerr
  • [REVIEW] "A Stirring Tribute to Hong Kong: A Review of Leslie Shimotakahara's Red Oblivion" by Susan Blumberg-Kason
    [REVIEW] "A Stirring Tribute to Hong Kong: A Review of Leslie Shimotakahara's Red Oblivion" by Susan Blumberg-Kason
  • Important Announcement: ALL issues of Cha postponed until further notice [Updated on Tuesday 30 June 2020]
    Important Announcement: ALL issues of Cha postponed until further notice [Updated on Tuesday 30 June 2020]




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