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Category Archives: Zephyr Press

February 23, 2022 by t - 0 comments

[REVIEW] “Quietly Radical: Xi Xi’s π‘π‘œπ‘‘ π‘Šπ‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘Šπ‘œπ‘Ÿπ‘‘π‘ ” by Kyle Muntz

December 17, 2021 by t - 1 Comment

[REVIEW] “Shockingly Direct and Heterodox: Mang Ke’s π‘‚π‘π‘‘π‘œπ‘π‘’π‘Ÿ π·π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘›π‘ ” by David Harrison Horton

February 10, 2021 by t - 0 comments

[REVIEW] “Seeing Sounds and Tasting the Words: Reviewing Xi Xi’s π‘π‘œπ‘‘ π‘Šπ‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘Šπ‘œπ‘Ÿπ‘‘π‘ ” by Jennifer Anne Eagleton

October 9, 2020 by t - 0 comments

[REVIEW] “Fine Lines of Meteorology: Lan Lan’s πΆπ‘Žπ‘›π‘¦π‘œπ‘› 𝑖𝑛 π‘‘β„Žπ‘’ π΅π‘œπ‘‘π‘¦” by Ash Dean

July 19, 2020 by t - 1 Comment

[REVIEW] “On a Haunted Train: Reading Ya Shi’s Floral Mutter in Nick Admussen’s Translation” by Joanna Krenz

December 30, 2019 by t - 1 Comment

[Review] “Extended Musings: Bei Dao’s Blue House” by Akin Jeje

December 30, 2019 by t - 0 comments

[REVIEW] “A Poet of Contrast in New Translation: Song Lin’s Sunday Sparrows in Jami Proctor Xu’s Translation” by Danielle Karanjeet J. de Feo-Giet

December 19, 2017 by t - 3 Comments

[REVIEW] “Capturing Disappearing Hong Kong: Liu Waitong’s π‘Šπ‘Žπ‘›π‘‘π‘’π‘Ÿπ‘–π‘›π‘” π»π‘œπ‘›π‘” πΎπ‘œπ‘›π‘” π‘€π‘–π‘‘β„Ž π‘†π‘π‘–π‘Ÿπ‘–π‘‘π‘ ” by Janice Tsang

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    [REVIEW] "Peripheral Visions: π»π‘œπ‘œπ‘˜ π‘Žπ‘›π‘‘ 𝐸𝑦𝑒: π‘†π‘‘π‘œπ‘Ÿπ‘–π‘’π‘  π‘“π‘Ÿπ‘œπ‘š π‘‘β„Žπ‘’ π‘€π‘Žπ‘Ÿπ‘”π‘–π‘›π‘ " by Isabelle Lim
  • [REVIEW] "The Fox Spirit of Bluestone Mountain: Female Force, Bridges from Zhiguai to Novel, and a Royal Rumble of Myth" by Cyril Camus
    [REVIEW] "The Fox Spirit of Bluestone Mountain: Female Force, Bridges from Zhiguai to Novel, and a Royal Rumble of Myth" by Cyril Camus
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  • [REVIEW] "The Potential of the Poet: Cheryl Julia Lee's π‘Šπ‘’ π‘Šπ‘’π‘Ÿπ‘’ π΄π‘™π‘€π‘Žπ‘¦π‘  πΈπ‘Žπ‘‘π‘–π‘›π‘” 𝐸π‘₯π‘π‘–π‘Ÿπ‘’π‘‘ π‘‡β„Žπ‘–π‘›π‘”π‘ " by Samantha Toh
    [REVIEW] "The Potential of the Poet: Cheryl Julia Lee's π‘Šπ‘’ π‘Šπ‘’π‘Ÿπ‘’ π΄π‘™π‘€π‘Žπ‘¦π‘  πΈπ‘Žπ‘‘π‘–π‘›π‘” 𝐸π‘₯π‘π‘–π‘Ÿπ‘’π‘‘ π‘‡β„Žπ‘–π‘›π‘”π‘ " by Samantha Toh
  • [REVIEW] "The Frustrating Elegance of Gina Apostol's Insurrecto" by Gabrielle Flores
    [REVIEW] "The Frustrating Elegance of Gina Apostol's Insurrecto" by Gabrielle Flores
  • [REVIEW] "Misreading Usual Catachresis: Charlie Samuya Veric's π»π‘–π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ " by Christian Benitez
    [REVIEW] "Misreading Usual Catachresis: Charlie Samuya Veric's π»π‘–π‘ π‘‘π‘œπ‘Ÿπ‘–π‘’π‘ " by Christian Benitez
  • [REVIEW] β€œLamentable Conditions and the Decrepit Body: A Review of Kang Kyeong-ae’s π‘‡β„Žπ‘’ π‘ˆπ‘›π‘‘π‘’π‘Ÿπ‘”π‘Ÿπ‘œπ‘’π‘›π‘‘ π‘‰π‘–π‘™π‘™π‘Žπ‘”π‘’β€ by Suhasini Patni
    [REVIEW] β€œLamentable Conditions and the Decrepit Body: A Review of Kang Kyeong-ae’s π‘‡β„Žπ‘’ π‘ˆπ‘›π‘‘π‘’π‘Ÿπ‘”π‘Ÿπ‘œπ‘’π‘›π‘‘ π‘‰π‘–π‘™π‘™π‘Žπ‘”π‘’β€ by Suhasini Patni
  • [REVIEW] "Not Her Story: Jia Zhangke’s π΄π‘ β„Ž 𝐼𝑠 π‘ƒπ‘’π‘Ÿπ‘’π‘ π‘‘ π‘Šβ„Žπ‘–π‘‘π‘’" by Michael Tsang
    [REVIEW] "Not Her Story: Jia Zhangke’s π΄π‘ β„Ž 𝐼𝑠 π‘ƒπ‘’π‘Ÿπ‘’π‘ π‘‘ π‘Šβ„Žπ‘–π‘‘π‘’" by Michael Tsang
  • [REVIEW] "Teo You Yenn's π‘‡β„Žπ‘–π‘  𝑖𝑠 π‘Šβ„Žπ‘Žπ‘‘ πΌπ‘›π‘’π‘žπ‘’π‘Žπ‘™π‘–π‘‘π‘¦ πΏπ‘œπ‘œπ‘˜π‘  πΏπ‘–π‘˜π‘’" by Wei Ting Jen
    [REVIEW] "Teo You Yenn's π‘‡β„Žπ‘–π‘  𝑖𝑠 π‘Šβ„Žπ‘Žπ‘‘ πΌπ‘›π‘’π‘žπ‘’π‘Žπ‘™π‘–π‘‘π‘¦ πΏπ‘œπ‘œπ‘˜π‘  πΏπ‘–π‘˜π‘’" by Wei Ting Jen
  • [REVIEW] "Land, Plants, Weather, and People: The Poetry of Wu Sheng" by David W. Landrum
    [REVIEW] "Land, Plants, Weather, and People: The Poetry of Wu Sheng" by David W. Landrum




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