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    • Matches Polished into Lights: Tiananmen Thirty Years On
October 9, 2020 by t - 0 comments

[REVIEW] “Fine Lines of Meteorology: Lan Lan’s Canyon in the Body” by Ash Dean

October 9, 2020 by t - 0 comments

[REVIEW] “Subversive Truths: A Review of David Chaffetz’s Three Asian Divas” by Fathima M

October 5, 2020 by t - 0 comments

[REVIEW] “A Cosmopolitan Breadth of Vision: A Review of Essays and Lectures on Indian Literature and Aesthetics” by Sucharita Dutta-Asane

September 30, 2020 by t - 0 comments

[REVIEW] “Unique Strength of Hong Kong People: A Review of Antony Dapiran’s City on Fire” by Susan Blumberg-Kason

September 24, 2020 by t - 0 comments

[REVIEW] “An Ever-present Labyrinth: Reviewing The Book of Shanghai” by Brian Haman

September 22, 2020 by t - 0 comments

[EXCLUSIVE] “Stories about Cantonese: My Mother Tongue” by Dongli Liang

September 21, 2020 by t - 0 comments

[REPOSTING] Hong Kong & Visual Arts: Call for Abstracts

September 17, 2020 by t - 0 comments

[REVIEW] “Experiments in Form: A Review of David Clark’s China-Art-Modernity” by Matt Turner

August 27, 2020 by t - 0 comments

[REVIEW] “Into the White: A Review of Joshua Eric Williams’s The Strangest Conversation” by Phill Provance

August 26, 2020 by t - 1 Comment

[REVIEW] “A Story of Many Faces: Bernice Chauly’s Once We Were There” by Maheen Haider

August 24, 2020 by t - 0 comments

[REVIEW] “A Profound Sense of Growth: Phill Provance’s A Plan in Case of Morning” by Quenntis Ashby

August 24, 2020 by t - 0 comments

[REVIEW] “Ebbs and Flows of History: A Review of Christopher New’s Chinese Spring” by Kiran Bhat

August 24, 2020 by t - 0 comments

[REVIEW] “The Fox Spirit of Bluestone Mountain: Female Force, Bridges from Zhiguai to Novel, and a Royal Rumble of Myth” by Cyril Camus

August 20, 2020 by t - 0 comments

[REVIEW] “The World for One Family: A Review of Jung Chang’s Big Sister, Little Sister, Red Sister” by Emma Zhang

August 20, 2020 by t - 0 comments

[REVIEW] “The Art of Alienation: A Review of Tammy Lai-Ming Ho’s An Extraterrestrial in Hong Kong” by Phill Provance

August 19, 2020 by t - 0 comments

[REVIEW] “Tales from Life and the Afterlife: Cyril Wong’s This Side of Heaven” by Amanda Chan

August 18, 2020 by t - 0 comments

[EXCLUSIVE] “The Untranslatability of my Udon Breakfast” by Belle Ling

August 17, 2020 by t - 0 comments

[EXCLUSIVE] “When Lovers Die” by Paul Rozario-Falcone

August 13, 2020 by t - 2 Comments

The Writing Life Beyond COVID-19: A Virtual Residence (3-9 August 2020)—Videos

August 9, 2020 by t - 0 comments

[EXCLUSIVE] “Every Encounter Is A Fated Event” (Sunday 9 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

August 8, 2020 by t - 0 comments

[EXCLUSIVE] “Mild Trypophobia” (Saturday 8 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

August 7, 2020 by t - 0 comments

[EXCLUSIVE] “Focused On Their Own Steps” (Friday 7 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

August 6, 2020 by t - 0 comments

[EXCLUSIVE] “Beckoning Her Children” (Thursday 6 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

August 5, 2020 by t - 0 comments

[EXCLUSIVE] “A Bridge Builder” (Wednesday 5 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

August 4, 2020 by t - 0 comments

[EXCLUSIVE] “The Year Made Famous” (Tuesday 4 August 2020) by Chris Song, translated by Tammy Lai-Ming Ho

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