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September 16, 2022 by t - 1 Comment

[REVIEW] β€œπ΄π‘Ÿπ‘–π‘ π‘’ 𝑂𝑒𝑑 π‘œπ‘“ π‘‘β„Žπ‘’ πΏπ‘œπ‘π‘˜: On Resistance, Connection, and Enchantment” by Sharyn Phu

September 15, 2022 by t - 0 comments

[REVIEW] “πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ π‘ƒπ‘œπ‘’π‘‘π‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘‡π‘Ÿπ‘Žπ‘›π‘ π‘™π‘Žπ‘‘π‘–π‘œπ‘›: A Multi-Angled Overview of What Happens When Worlds Collide” by Cyril Camus

September 14, 2022 by t - 0 comments

[EXCLUSIVE] “Q & A” by Miho Kinnas and E. Ethelbert Miller

September 11, 2022 by t - 0 comments

[REVIEW] “A Psychoanalytical Auto-fictional Biography of a City: Perhat Tursun’s π‘‡β„Žπ‘’ π΅π‘Žπ‘π‘˜π‘ π‘‘π‘Ÿπ‘’π‘’π‘‘π‘ ” by Serena De Marchi

September 2, 2022 by t - 0 comments

[REVIEW] “Beyond Birth, Blood, and Soil: Reading Louisa Lim’s 𝐼𝑛𝑑𝑒𝑙𝑖𝑏𝑙𝑒 𝐢𝑖𝑑𝑦” by Emma Zhang

September 1, 2022 by t - 1 Comment

[REVIEW] β€œStories Grow in Hong Kong: A Review of 𝑂𝑓 πΉπ‘œπ‘Ÿπ‘’π‘ π‘‘π‘  π‘Žπ‘›π‘‘ π»π‘’π‘šπ‘Žπ‘›π‘ β€ by Astrid MΓΈller-Olsen

September 1, 2022 by t - 0 comments

[REVIEW] “Dream-like Reality: Phoebe Tsang’s 𝑆𝑒𝑑𝑑𝑖𝑛𝑔 πΉπ‘–π‘Ÿπ‘’ π‘‘π‘œ π‘Šπ‘Žπ‘‘π‘’π‘Ÿ” by Aerith Au

May 26, 2022 by t - 0 comments

[REVIEW] “The Women Behind the Hindu Myths: Koral Dasgupta’s π΄β„Žπ‘Žπ‘™π‘¦π‘Ž and 𝐾𝑒𝑛𝑑𝑖” by Sharyn Phu

May 26, 2022 by t - 0 comments

[REVIEW] “The Numbing Funk of Desire: On Yan Ge’s π‘‡β„Žπ‘’ πΆβ„Žπ‘–π‘™π‘™π‘– π΅π‘’π‘Žπ‘› π‘ƒπ‘Žπ‘ π‘‘π‘’ πΆπ‘™π‘Žπ‘›” by Kyle Muntz

April 20, 2022 by t - 0 comments

[REVIEW] β€œA Parable of the Eccentric Sower: Duo Duo’s π‘Šπ‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘  πΊπ‘Ÿπ‘Žπ‘–π‘›β€ by Joanna Krenz

April 17, 2022 by t - 0 comments

[EXCLUSIVE] “Returned Home for Christmas after Years of Absence: A Personal Reflection and a Tale” by Elmer Omar Bascos Pizo

April 16, 2022 by t - 0 comments

[REVIEW] “The Buried Past Revealed: Reading π‘€π‘Žπ‘›π‘β„Žπ‘’π‘˜π‘’π‘œ π‘ƒπ‘’π‘Ÿπ‘ π‘π‘’π‘π‘‘π‘–π‘£π‘’π‘ β€ by Yu MΓΌller

April 16, 2022 by t - 0 comments

[EXCLUSIVE] “Catching Fish” by Kamayani Sharma

April 9, 2022 by t - 1 Comment

[REVIEW] β€œAn Intellectual Exchange: A Review of πΈπ‘‘π‘œ π½π‘Žπ‘π‘Žπ‘› πΈπ‘›π‘π‘œπ‘’π‘›π‘‘π‘’π‘Ÿπ‘  π‘‘β„Žπ‘’ π‘Šπ‘œπ‘Ÿπ‘™π‘‘β€ by James Kin Pong Au

March 30, 2022 by t - 0 comments

[REVIEW] “Fiona Sze-Lorrain: Poetry and Translations” by Elizabeth Chung

March 16, 2022 by t - 1 Comment

[EXCLUSIVE] β€œThe Yellow Chair” by Madeleine Slavick

February 27, 2022 by t - 3 Comments

[FEATURE] “Human Rights and Literature: USSR, Post-soviet Ukraine, and Russia”, a Lecture by Andrei Kurkov

February 23, 2022 by t - 0 comments

[REVIEW] “Quietly Radical: Xi Xi’s π‘π‘œπ‘‘ π‘Šπ‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘Šπ‘œπ‘Ÿπ‘‘π‘ ” by Kyle Muntz

February 20, 2022 by t - 0 comments

[REVIEW] β€œExistential Capsules and Cusps in Yeng Pway Ngon’s πΏπ‘œπ‘›π‘’π‘™π‘¦ πΉπ‘Žπ‘π‘’β€ by Frances An

February 17, 2022 by t - 0 comments

[REVIEW] β€œDivination, Philosophy, and Change: π‘‡β„Žπ‘’ π‘‚π‘Ÿπ‘–π‘”π‘–π‘›π‘Žπ‘™ π‘€π‘’π‘Žπ‘›π‘–π‘›π‘” π‘œπ‘“ π‘‘β„Žπ‘’ Yijing: πΆπ‘œπ‘šπ‘šπ‘’π‘›π‘‘π‘Žπ‘Ÿπ‘¦ π‘œπ‘› π‘‘β„Žπ‘’ π‘†π‘π‘Ÿπ‘–π‘π‘‘π‘’π‘Ÿπ‘’ π‘œπ‘“ πΆβ„Žπ‘Žπ‘›π‘”π‘’β€ by Tim Murphy

February 8, 2022 by t - 0 comments

[REVIEW] “Culture Is That Which Appropriates: A Review of Liang Luo’s π‘‡β„Žπ‘’ πΊπ‘™π‘œπ‘π‘Žπ‘™ π‘Šβ„Žπ‘–π‘‘π‘’ π‘†π‘›π‘Žπ‘˜π‘’” by Noah Arthur Weber

January 5, 2022 by t - 0 comments

[REVIEW] “A Rich Tapestry for Tomorrow’s Beijingers: A Review of π‘‡β„Žπ‘’ π‘Šπ‘’π‘‘π‘‘π‘–π‘›π‘” π‘ƒπ‘Žπ‘Ÿπ‘‘π‘¦” by Susan Blumberg-Kason

December 17, 2021 by t - 1 Comment

[REVIEW] “Shockingly Direct and Heterodox: Mang Ke’s π‘‚π‘π‘‘π‘œπ‘π‘’π‘Ÿ π·π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘›π‘ ” by David Harrison Horton

December 16, 2021 by t - 0 comments

[REVIEW] “(Re)formation of Ideas: π½π‘Žπ‘π‘Žπ‘›π‘’π‘ π‘’ π΄π‘Ÿπ‘‘ 𝑖𝑛 π‘ƒπ‘’π‘Ÿπ‘ π‘π‘’π‘π‘‘π‘–π‘£π‘’” by James Au Kin-Pong

December 3, 2021 by t - 0 comments

[REVIEW] “Fiona Hawthorne and Kowloon Walled City” by Susan Blumberg-Kason

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