January 20, 2021 by t - 0 comments [REVIEW] “Asymmetric and Unexpected: A Review of Strange Beasts of China” by Ari Santiago
January 19, 2021 by t - 0 comments [REVIEW] “The Expatriate, Itinerant Underclass: A Review of Stephen Griffiths’s The Kowloon English Club” by Andrew Barker
January 16, 2021 by t - 1 Comment [REVIEW] “The Unconcealed Rebellion, Cynicism, Bravery and Romanticism of Being Painfully Young: Reviewing Strange Beasts of China” by Jacqueline Leung
January 15, 2021 by t - 0 comments [REVIEW] “Greenwashed: A Review of Eating Chilli Crab in the Anthropocene” by Alana Leilani Teves Cabrera-Narciso
January 15, 2021 by t - 1 Comment [REVIEW] “Theories, Methods, Objects, and Localities: A Review of Method as Method” by Liang Luo
January 13, 2021 by t - 0 comments [REVIEW] “See How Much I Love You: Reviewing Travis S. K. Kong’s Oral Histories of Older Gay Men in Hong Kong” by Susan Blumberg-Kason
January 12, 2021 by t - 0 comments [REVIEW] “Building Bridges Across Both Countries and Cultures: A Review of Chinese Diaspora Charity and the Cantonese Pacific 1850-1949” by Joshua Bird
December 14, 2020 by t - 0 comments [FEATURE] “Evolving from Embryo and Changing the Bones: Translating the Sonorous” by Jonathan Stalling
December 8, 2020 by t - 0 comments [REVIEW] “A Laboratory of Fine Imagery: Reviewing JinJin Xu’s There Is Still Singing in the Afterlife” by Vania Tabanelli
November 19, 2020 by t - 0 comments [REVIEW] “Hongwei Bao’s Queer China Under Neoliberalism with Socialist Characteristics” by Elaine Chiew
November 19, 2020 by t - 1 Comment [REVIEW] “Psychological infiltration in Maoist Laughter” by Frances An
November 12, 2020 by t - 1 Comment [REVIEW] “In-between the Inbetween: Jennifer Wong’s A Diary of a Miu Miu Salesgirl” by Anya Goncharova
November 10, 2020 by t - 0 comments [REVIEW] “At the Centre of the Arts: A Review of David Chaffetz’s Three Asian Divas” by Susan Blumberg-Kason
November 10, 2020 by t - 1 Comment [REVIEW] “The Gift of Returns: Reckoning with Desmond Kon’s The Good Day I Died” by Ho Kin Yunn
October 26, 2020 by t - 0 comments [REVIEW] “Trepidatious Yet Defiant: Tammy Lai-Ming Ho’s Too Too Too Too” by Aaron Chan
October 25, 2020 by t - 0 comments [EXCLUSIVE] “The Use of Literature in a Global Pandemic” by Hongwei Bao
October 25, 2020 by t - 0 comments [REVIEW] “Quite Connected Centuries Ago: Reviewing Peter Gordon and Juan José Morales’s Painter and Patron” by Susan Blumberg-Kason
October 24, 2020 by t - 0 comments [ARCHIVE] “Children Among the Ruins” by Xi Xi, translated by Jennifer Feeley
October 24, 2020 by t - 0 comments [ARCHIVE] “The Body’s Language (from Mourning a Breast)” by Xi Xi, translated by Jennifer Feeley
October 17, 2020 by t - 1 Comment [EXCLUSIVE] “Three Women and Their Wuhan Diaries: Women’s Writing in a Quarantined Chinese City” by Hongwei Bao
October 9, 2020 by t - 0 comments [REVIEW] “Fine Lines of Meteorology: Lan Lan’s Canyon in the Body” by Ash Dean
