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    • [FEATURE] LOVE: A Reading
    • [FEATURE] World Poetry Day Poetry Competition 2021
    • [FEATURE] Matches Polished into Lights: Tiananmen Thirty Years On
July 4, 2021 by t - 0 comments

[REVIEW] β€œLashing Out: A Review of Tahi Saihate’s π΄π‘ π‘‘π‘Ÿπ‘Žπ‘™ π‘†π‘’π‘Žπ‘ π‘œπ‘›, π΅π‘’π‘Žπ‘ π‘‘π‘™π‘¦ π‘†π‘’π‘Žπ‘ π‘œπ‘›β€ by Ari Santiago

June 29, 2021 by t - 0 comments

[REVIEW] “The Plight of the Homeless in Japan: A Review of YΕ« Miri’s π‘‡π‘œπ‘˜π‘¦π‘œ π‘ˆπ‘’π‘›π‘œ π‘†π‘‘π‘Žπ‘‘π‘–π‘œπ‘›” by James Au Kin-Pong

June 20, 2021 by t - 0 comments

[EXCLUSIVE] “Woman, Arise!” by J.C. (First Place Winnerβ€”World Poetry Day Competition 2021)

June 20, 2021 by t - 0 comments

[EXCLUSIVE] “Palm Sunday” by C.L. (Second Place Winnerβ€”World Poetry Day Competition 2021)

June 20, 2021 by t - 0 comments

[EXCLUSIVE] “Sinners” by John Outsider (Third Place Winnerβ€”World Poetry Day Competition 2021)

June 14, 2021 by t - 2 Comments

[REVIEW] β€œBefore We Know How It Will End: A Review of Michael O’Sullivan’s πΏπ‘œπ‘π‘˜π‘‘π‘œπ‘€π‘› πΏπ‘œπ‘£π‘’π‘Ÿπ‘ β€ by Susan Blumberg-Kason

June 14, 2021 by t - 0 comments

[REVIEW] β€œCantonese Opera as Collective Imagination: A Review of Yeng Pway Ngon’s πΆπ‘œπ‘ π‘‘π‘’π‘šπ‘’β€ by Frances An

June 9, 2021 by t - 1 Comment

[FEATURE] Lucas Klein’s Introduction to Duo Duo’s π‘Šπ‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘  πΊπ‘Ÿπ‘Žπ‘–π‘› + “The Force of Forging Words”

June 3, 2021 by t - 0 comments

[REVIEW] “Layered Spaces: A Review of Chi Ta-wei’sΒ π‘‡β„Žπ‘’ π‘€π‘’π‘šπ‘π‘Ÿπ‘Žπ‘›π‘’π‘ ” by Serena De Marchi

May 29, 2021 by t - 0 comments

[EXCLUSIVE] β€œLiteral and Metaphorical Lockdown: On Writing πΏπ‘œπ‘π‘˜π‘‘π‘œπ‘€π‘› πΏπ‘œπ‘£π‘’π‘Ÿπ‘ β€ by Michael O’Sullivan

May 17, 2021 by t - 0 comments

[FEATURE] “Love in the Time of Coronavirus: Postscript and Ten Poems” by Ho Fuk Yan

May 15, 2021 by t - 0 comments

[REVIEW] “No Absolutes: A Review of Daryl Lim Wei Jie’s A Book of Changes” by Wong Yang

May 14, 2021 by t - 0 comments

[REVIEW] “The Centre of the Universe: A Review of Stephen Griffiths’s The Kowloon English Club” by Susan Blumberg-Kason

May 8, 2021 by t - 0 comments

[REVIEW] “Hong Kong’s Unstable Fault Lines: A Review of Aftershock” by Jennifer Anne Eagleton

May 7, 2021 by t - 0 comments

[REVIEW] “Amid Corrupt Cultural Landscapes: A Review of The Making and Remaking of China’s Red Classics” by Frances An

April 29, 2021 by t - 0 comments

[REVIEW] “Identity is a Constant Negotiation and Struggle for a Self-Worth Fighting For: A Review of Jason Erik Lundberg’s A Fickle and Restless Weapon” by Quenntis Ashby

April 28, 2021 by t - 0 comments

[REVIEW] “A Bittersweet Reminder: Reviewing Rabbit in the Moon” by Karen Ma

April 27, 2021 by t - 0 comments

[REVIEW] “Traces that Haunt the Scene: A Review of Aftershock” by Cherrie Kwok

April 24, 2021 by t - 0 comments

[REVIEW] “A Time Capsule and a Seed: Reviewing π»π‘œπ‘›π‘” πΎπ‘œπ‘›π‘” π‘Šπ‘–π‘‘β„Žπ‘œπ‘’π‘‘ π‘ˆπ‘ ” by Sam Cheuk

April 23, 2021 by t - 0 comments

[REVIEW] “Truculent Attitude and Independent Spirit: A Review of Malcolm Merry’s The Unruly New Territories” by Susan Blumberg-Kason

April 17, 2021 by t - 0 comments

[REVIEW] “Pursuing Her Japanese Identity: A Review of Minae Mizumura’s An I-Novel” by James Au Kin-Pong

April 16, 2021 by t - 0 comments

[REVIEW] “Across the Silence of Oceans: A Review of π»π‘œπ‘›π‘” πΎπ‘œπ‘›π‘” π‘Šπ‘–π‘‘β„Žπ‘œπ‘’π‘‘ π‘ˆπ‘ ” by Arwi Y. Wong

April 15, 2021 by t - 0 comments

[REVIEW] “Ongoing Legacy: Reviewing 𝐼𝑛 π‘‘β„Žπ‘’ 𝑅𝑒𝑖𝑛𝑠 π‘œπ‘“ π‘‘β„Žπ‘’ π½π‘Žπ‘π‘Žπ‘›π‘’π‘ π‘’ πΈπ‘šπ‘π‘–π‘Ÿπ‘’Β πΌπ‘šπ‘π‘’π‘Ÿπ‘–π‘Žπ‘™ π‘‰π‘–π‘œπ‘™π‘’π‘›π‘π‘’” by Joshua Bird

April 14, 2021 by t - 0 comments

[REVIEW] “A Catalyst for Repealing Anti-Gay Statutes: Reviewing Nigel Collett’s A Death in Hong Kong” by Akin Jeje

April 9, 2021 by t - 0 comments

[REVIEW] β€œWhat We Never Carried Back: A Review of Vietnamese Stories in π‘‚π‘‘β„Žπ‘’π‘Ÿ π‘€π‘œπ‘œπ‘›π‘ ” by Chase Michael Greenfield

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