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    • [FEATURE] LOVE: A Reading
    • [FEATURE] World Poetry Day Poetry Competition 2021
    • [FEATURE] Matches Polished into Lights: Tiananmen Thirty Years On
February 23, 2022 by t - 0 comments

[REVIEW] “Quietly Radical: Xi Xi’s π‘π‘œπ‘‘ π‘Šπ‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘Šπ‘œπ‘Ÿπ‘‘π‘ ” by Kyle Muntz

February 20, 2022 by t - 0 comments

[REVIEW] β€œExistential Capsules and Cusps in Yeng Pway Ngon’s πΏπ‘œπ‘›π‘’π‘™π‘¦ πΉπ‘Žπ‘π‘’β€ by Frances An

February 17, 2022 by t - 0 comments

[REVIEW] β€œDivination, Philosophy, and Change: π‘‡β„Žπ‘’ π‘‚π‘Ÿπ‘–π‘”π‘–π‘›π‘Žπ‘™ π‘€π‘’π‘Žπ‘›π‘–π‘›π‘” π‘œπ‘“ π‘‘β„Žπ‘’ Yijing: πΆπ‘œπ‘šπ‘šπ‘’π‘›π‘‘π‘Žπ‘Ÿπ‘¦ π‘œπ‘› π‘‘β„Žπ‘’ π‘†π‘π‘Ÿπ‘–π‘π‘‘π‘’π‘Ÿπ‘’ π‘œπ‘“ πΆβ„Žπ‘Žπ‘›π‘”π‘’β€ by Tim Murphy

February 8, 2022 by t - 0 comments

[REVIEW] “Culture Is That Which Appropriates: A Review of Liang Luo’s π‘‡β„Žπ‘’ πΊπ‘™π‘œπ‘π‘Žπ‘™ π‘Šβ„Žπ‘–π‘‘π‘’ π‘†π‘›π‘Žπ‘˜π‘’” by Noah Arthur Weber

January 5, 2022 by t - 0 comments

[REVIEW] “A Rich Tapestry for Tomorrow’s Beijingers: A Review of π‘‡β„Žπ‘’ π‘Šπ‘’π‘‘π‘‘π‘–π‘›π‘” π‘ƒπ‘Žπ‘Ÿπ‘‘π‘¦” by Susan Blumberg-Kason

December 17, 2021 by t - 1 Comment

[REVIEW] “Shockingly Direct and Heterodox: Mang Ke’s π‘‚π‘π‘‘π‘œπ‘π‘’π‘Ÿ π·π‘’π‘‘π‘–π‘π‘Žπ‘‘π‘–π‘œπ‘›π‘ ” by David Harrison Horton

December 16, 2021 by t - 0 comments

[REVIEW] “(Re)formation of Ideas: π½π‘Žπ‘π‘Žπ‘›π‘’π‘ π‘’ π΄π‘Ÿπ‘‘ 𝑖𝑛 π‘ƒπ‘’π‘Ÿπ‘ π‘π‘’π‘π‘‘π‘–π‘£π‘’” by James Au Kin-Pong

December 3, 2021 by t - 0 comments

[REVIEW] “Fiona Hawthorne and Kowloon Walled City” by Susan Blumberg-Kason

November 16, 2021 by t - 0 comments

[REVIEW] β€œRoughness of Thought: A Review of Tahi Saihate’s π΄π‘ π‘‘π‘Ÿπ‘Žπ‘™ π‘†π‘’π‘Žπ‘ π‘œπ‘›, π΅π‘’π‘Žπ‘ π‘‘π‘™π‘¦ π‘†π‘’π‘Žπ‘ π‘œπ‘›β€ by Maks Sipowicz

November 15, 2021 by t - 0 comments

[ANNOUNCEMENT] Cha’s 2021 Hawker Prize Nominations

October 12, 2021 by t - 0 comments

[REVIEW] “A Historically Cosmopolitan, Mixed Culture: π»π‘œπ‘’ π»π‘ π‘–π‘Žπ‘œ-π»π‘ π‘–π‘’π‘›β€˜π‘  π‘Šπ‘œπ‘Ÿπ‘™π‘‘ π‘œπ‘“ π‘‡π‘Žπ‘›π‘” πΆβ„Žπ‘–π‘›π‘Žβ€ by Jeff Tompkins

October 4, 2021 by t - 0 comments

[REVIEW] “We Shall Have to Learn How to Live with Ghosts: A Review of John Minford’s π»π‘œπ‘›π‘” πΎπ‘œπ‘›π‘” πΏπ‘–π‘‘π‘’π‘Ÿπ‘Žπ‘‘π‘’π‘Ÿπ‘’ π‘†π‘’π‘Ÿπ‘–π‘’π‘ ” by Douglas Kerr

October 2, 2021 by t - 0 comments

[REVIEW] β€œThe Desire to Be Free and the Desire to Be Good: Nicholas Wong’s 𝐡𝑒𝑠𝑖𝑒𝑔𝑒 𝑀𝑒” by Liam Blackford

September 30, 2021 by t - 0 comments

LOVE: Tammy Lai-Ming Ho

September 29, 2021 by t - 0 comments

LOVE: Michael O’Sullivan

September 28, 2021 by t - 0 comments

[CALL FOR SUBMISSIONS] The Write to Power Special FeatureΒ 

September 26, 2021 by t - 0 comments

LOVE: Chris Song

September 26, 2021 by t - 0 comments

LOVE: Jason S Polley

September 22, 2021 by t - 0 comments

LOVE: Ting Guo

September 22, 2021 by t - 0 comments

LOVE: Oliver Farry

September 22, 2021 by t - 0 comments

LOVE: Heidi Huang

September 22, 2021 by t - 0 comments

[EXCLUSIVE] LOVE: Ilaria Maria Sala

September 22, 2021 by t - 0 comments

LOVE: Lian-Hee Wee

September 16, 2021 by t - 1 Comment

[REVIEW] “Myriad Powers of Words: Duo Duo’s π‘Šπ‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘  πΊπ‘Ÿπ‘Žπ‘–π‘›” by Liang Luo

September 12, 2021 by t - 0 comments

[EXCLUSIVE] Four New Translations of Noriko Ibaragi by Andrew Houwen and Peter Robinson

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  • [FEATURE] LOVE: A Reading
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