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Category Archives: Cha Review of Books and Films

March 15, 2023 by t - 0 comments

[REVIEW] “Permutations of Loss: The Poetics of Tim Tim Cheng” by Sam Cheuk

March 5, 2023 by t - 0 comments

[REVIEW] “Outstanding Translations of a Singular Poet: Yam Gong’s π‘€π‘œπ‘£π‘–π‘›π‘” π‘Ž π‘†π‘‘π‘œπ‘›π‘’” by Mary King Bradley and Matthew Cheng

March 1, 2023 by t - 0 comments

[REVIEW] “Lim’s Limes Call To Mind…” by Dean A. F. Gui

February 20, 2023 by t - 0 comments

[REVIEW] β€œRin Ishigaki’s Poetry as Resilience” by Nadine Willems

January 9, 2023 by t - 0 comments

[REVIEW] β€œLaughter of the Displaced: A Review of Gish Jen’s π‘‡β„Žπ‘Žπ‘›π‘˜ π‘Œπ‘œπ‘’, π‘€π‘Ÿ. 𝑁𝑖π‘₯π‘œπ‘›β€ by Emma H. Zhang

January 4, 2023 by t - 0 comments

[REVIEW] β€œWhat Does It Mean to Be a Feminist in China? Reviewing πΉπ‘’π‘šπ‘–π‘›π‘–π‘ π‘šπ‘ Β π‘€π‘–π‘‘β„Ž πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ πΆβ„Žπ‘Žπ‘Ÿπ‘Žπ‘π‘‘π‘’π‘Ÿπ‘–π‘ π‘‘π‘–π‘π‘ β€ by X. H. Collins

November 16, 2022 by t - 0 comments

[REVIEW] β€œπ‘†π‘‘π‘Ÿπ‘Žπ‘›π‘”π‘’ π΅π‘’π‘Žπ‘ π‘‘π‘  π‘œπ‘“ πΆβ„Žπ‘–π‘›π‘Ž: Harnessing π‘β„Žπ‘–π‘”π‘’π‘Žπ‘– and Magic Realism to Satirise Othering” by Cyril Camus

November 15, 2022 by t - 0 comments

[REVIEW] β€œSifting Through The Rubble: Reading Philip Bowring’s π‘‡β„Žπ‘’ π‘€π‘Žπ‘˜π‘–π‘›π‘” π‘œπ‘“ π‘€π‘œπ‘‘π‘’π‘Ÿπ‘› π‘ƒβ„Žπ‘–π‘™π‘–π‘π‘π‘–π‘›π‘’π‘ β€ by Jose Santos P. Ardivilla

October 20, 2022 by t - 1 Comment

[REVIEW] β€œToying With Lost Time: A Review of Three Poetry Collections from Landmark Books” by Cheng Tim Tim

October 12, 2022 by t - 0 comments

[REVIEW] “Giving a Voice to Those With None: Karen Ma’s πΆβ„Žπ‘–π‘›π‘Ž’𝑠 π‘€π‘–π‘™π‘™π‘’π‘›π‘›π‘–π‘Žπ‘™ π·π‘–π‘”π‘–π‘‘π‘Žπ‘™ πΊπ‘’π‘›π‘’π‘Ÿπ‘Žπ‘‘π‘–π‘œπ‘›” by X. H. Collins

September 20, 2022 by t - 0 comments

[REVIEW] “Quintessential Singlit? Wesley Leon Aroozoo’s π‘‡β„Žπ‘’ π‘ƒπ‘’π‘›π‘˜β„Žπ‘Žπ‘€π‘Žπ‘™π‘Ž π‘Žπ‘›π‘‘ π‘‘β„Žπ‘’ π‘ƒπ‘Ÿπ‘œπ‘ π‘‘π‘–π‘‘π‘’π‘‘π‘’β€ by Michael Tsang

September 16, 2022 by t - 1 Comment

[REVIEW] β€œπ΄π‘Ÿπ‘–π‘ π‘’ 𝑂𝑒𝑑 π‘œπ‘“ π‘‘β„Žπ‘’ πΏπ‘œπ‘π‘˜: On Resistance, Connection, and Enchantment” by Sharyn Phu

September 15, 2022 by t - 0 comments

[REVIEW] “πΆβ„Žπ‘–π‘›π‘’π‘ π‘’ π‘ƒπ‘œπ‘’π‘‘π‘Ÿπ‘¦ π‘Žπ‘›π‘‘ π‘‡π‘Ÿπ‘Žπ‘›π‘ π‘™π‘Žπ‘‘π‘–π‘œπ‘›: A Multi-Angled Overview of What Happens When Worlds Collide” by Cyril Camus

September 11, 2022 by t - 0 comments

[REVIEW] “A Psychoanalytical Auto-fictional Biography of a City: Perhat Tursun’s π‘‡β„Žπ‘’ π΅π‘Žπ‘π‘˜π‘ π‘‘π‘Ÿπ‘’π‘’π‘‘π‘ ” by Serena De Marchi

September 2, 2022 by t - 0 comments

[REVIEW] “Beyond Birth, Blood, and Soil: Reading Louisa Lim’s 𝐼𝑛𝑑𝑒𝑙𝑖𝑏𝑙𝑒 𝐢𝑖𝑑𝑦” by Emma Zhang

September 1, 2022 by t - 1 Comment

[REVIEW] β€œStories Grow in Hong Kong: A Review of 𝑂𝑓 πΉπ‘œπ‘Ÿπ‘’π‘ π‘‘π‘  π‘Žπ‘›π‘‘ π»π‘’π‘šπ‘Žπ‘›π‘ β€ by Astrid MΓΈller-Olsen

September 1, 2022 by t - 0 comments

[REVIEW] “Dream-like Reality: Phoebe Tsang’s 𝑆𝑒𝑑𝑑𝑖𝑛𝑔 πΉπ‘–π‘Ÿπ‘’ π‘‘π‘œ π‘Šπ‘Žπ‘‘π‘’π‘Ÿ” by Aerith Au

April 20, 2022 by t - 0 comments

[REVIEW] β€œA Parable of the Eccentric Sower: Duo Duo’s π‘Šπ‘œπ‘Ÿπ‘‘π‘  π‘Žπ‘  πΊπ‘Ÿπ‘Žπ‘–π‘›β€ by Joanna Krenz

April 16, 2022 by t - 0 comments

[REVIEW] “The Buried Past Revealed: Reading π‘€π‘Žπ‘›π‘β„Žπ‘’π‘˜π‘’π‘œ π‘ƒπ‘’π‘Ÿπ‘ π‘π‘’π‘π‘‘π‘–π‘£π‘’π‘ β€ by Yu MΓΌller

April 9, 2022 by t - 1 Comment

[REVIEW] β€œAn Intellectual Exchange: A Review of πΈπ‘‘π‘œ π½π‘Žπ‘π‘Žπ‘› πΈπ‘›π‘π‘œπ‘’π‘›π‘‘π‘’π‘Ÿπ‘  π‘‘β„Žπ‘’ π‘Šπ‘œπ‘Ÿπ‘™π‘‘β€ by James Kin Pong Au

March 30, 2022 by t - 0 comments

[REVIEW] “Fiona Sze-Lorrain: Poetry and Translations” by Elizabeth Chung

February 23, 2022 by t - 0 comments

[REVIEW] “Quietly Radical: Xi Xi’s π‘π‘œπ‘‘ π‘Šπ‘Ÿπ‘–π‘‘π‘‘π‘’π‘› π‘Šπ‘œπ‘Ÿπ‘‘π‘ ” by Kyle Muntz

February 20, 2022 by t - 0 comments

[REVIEW] β€œExistential Capsules and Cusps in Yeng Pway Ngon’s πΏπ‘œπ‘›π‘’π‘™π‘¦ πΉπ‘Žπ‘π‘’β€ by Frances An

February 8, 2022 by t - 0 comments

[REVIEW] “Culture Is That Which Appropriates: A Review of Liang Luo’s π‘‡β„Žπ‘’ πΊπ‘™π‘œπ‘π‘Žπ‘™ π‘Šβ„Žπ‘–π‘‘π‘’ π‘†π‘›π‘Žπ‘˜π‘’” by Noah Arthur Weber

January 5, 2022 by t - 0 comments

[REVIEW] “A Rich Tapestry for Tomorrow’s Beijingers: A Review of π‘‡β„Žπ‘’ π‘Šπ‘’π‘‘π‘‘π‘–π‘›π‘” π‘ƒπ‘Žπ‘Ÿπ‘‘π‘¦” by Susan Blumberg-Kason

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