April 29, 2018 by t - 1 Comment [Review] Connection and Marginalisation: Stephanie Han’s Swimming in Hong Kong
March 25, 2018 by t - 0 comments [Review] Two Books of Malaysian Poetry: Complicated Lives and Malchin Testament
March 25, 2018 by t - 0 comments [Review] Memory, Trauma, Love: Wesley Leon Aroozoo’s I Want to Go Home／帰りたい
March 25, 2018 by t - 0 comments [Review] Burying the Spoils of War: Warran Kalsegaran’s Lieutenant Kurosawa’s Errand Boy
March 25, 2018 by t - 0 comments [Review] Longing for Home: Boey Kim Cheng’s Gull Between Heaven and Earth
March 12, 2018 by t - 0 comments [Review] There Is Much that His Narratives Can Offer the World: Mohamed Latiff Mohamed’s Lost Nostalgia
February 18, 2018 by t - 1 Comment [Review] The Solution Is to Read Slowly: Kate Rogers’s Out of Place
February 18, 2018 by t - 0 comments [Review] Revolutionary Practice: Kaitlin Solimine’s Empire of Glass
February 10, 2018 by t - 0 comments [Review] Shifting Terrains: Movement and Identity in Lachlan Brown’s Lunar Inheritance
February 10, 2018 by t - 0 comments [Review] Eloquence, Anger, Sincerity: Henry Wei Leung’s Goddess of Democracy: An Occupy Lyric
February 5, 2018 by t - 1 Comment [Review] Three Vietnamese Voices in Australia: Poems of Lê Văn Tài, Nguyễn Tôn Hiệt & Phan Quỳnh
February 5, 2018 by t - 1 Comment [REVIEW] The Recipe for Embracing Biformity: Ang Lee’s Eat Drink Man Woman
