April 29, 2018 by t - 1 Comment [REVIEW] Connection and Marginalisation: Stephanie Han’s Swimming in Hong Kong
March 25, 2018 by t - 0 comments [REVIEW] “A Review of Two Books of Malaysian Poetry: Complicated Lives and Malchin Testament” by Goh Cheng Fai Zach
March 25, 2018 by t - 0 comments [Review] “Memory, Trauma, Love: Wesley Leon Aroozoo’s I Want to Go Home／帰りたい” by Michael Tsang
March 25, 2018 by t - 0 comments [Review] Burying the Spoils of War: Warran Kalsegaran’s Lieutenant Kurosawa’s Errand Boy
March 25, 2018 by t - 0 comments [Review] Longing for Home: Boey Kim Cheng’s Gull Between Heaven and Earth
March 12, 2018 by t - 0 comments [REVIEW] “There Is Much that His Narratives Can Offer the World: Mohamed Latiff Mohamed’s Lost Nostalgia” by Brian Haman
February 23, 2018 by t - 0 comments [REVIEW] “Remembering the Musha Incident: Wu He’s Remains of Life” by Ilaria Maria Sala
February 18, 2018 by t - 1 Comment [REVIEW] The Solution Is to Read Slowly: Kate Rogers’s Out of Place
February 18, 2018 by t - 0 comments [Review] Revolutionary Practice: Kaitlin Solimine’s Empire of Glass
February 10, 2018 by t - 0 comments [Review] Shifting Terrains: Movement and Identity in Lachlan Brown’s Lunar Inheritance
February 10, 2018 by t - 0 comments [Review] Eloquence, Anger, Sincerity: Henry Wei Leung’s Goddess of Democracy: An Occupy Lyric
February 5, 2018 by t - 1 Comment [Review] Three Vietnamese Voices in Australia: Poems of Lê Văn Tài, Nguyễn Tôn Hiệt & Phan Quỳnh
February 5, 2018 by t - 0 comments [REVIEW] “Rich and Varied: Richard Berengarten’s 𝐶ℎ𝑎𝑛𝑔𝑖𝑛𝑔” by Eleanor Goodman
February 5, 2018 by t - 1 Comment [REVIEW] “The Recipe for Embracing Biformity: Ang Lee’s 𝐸𝑎𝑡 𝐷𝑟𝑖𝑛𝑘 𝑀𝑎𝑛 𝑊𝑜𝑚𝑎𝑛” by Amanda Cattel
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