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Category Archives: Issue 39

April 29, 2018 by t - 1 Comment

[REVIEW] Connection and Marginalisation: Stephanie Han’s Swimming in Hong Kong

March 25, 2018 by t - 0 comments

[REVIEW] “A Review of Two Books of Malaysian Poetry: Complicated Lives and Malchin Testament” by Goh Cheng Fai Zach

March 25, 2018 by t - 0 comments

[Review] “Memory, Trauma, Love: Wesley Leon Aroozoo’s I Want to Go Home/帰りたい” by Michael Tsang

March 25, 2018 by t - 0 comments

[Review] Burying the Spoils of War: Warran Kalsegaran’s Lieutenant Kurosawa’s Errand Boy

March 25, 2018 by t - 0 comments

[REVIEW] “Becoming a Hero: Jang Hoon’s A Taxi Driver” by Grace Chia

March 25, 2018 by t - 0 comments

[Review] Longing for Home: Boey Kim Cheng’s Gull Between Heaven and Earth

March 12, 2018 by t - 0 comments

[Review] “There Is Much that His Narratives Can Offer the World: Mohamed Latiff Mohamed’s Lost Nostalgia” by Brian Haman

February 23, 2018 by t - 0 comments

[Review] “Remembering the Musha Incident: Wu He’s Remains of Life” by Ilaria Maria Sala

February 18, 2018 by t - 1 Comment

[Review] The Solution Is to Read Slowly: Kate Rogers’s Out of Place

February 18, 2018 by t - 0 comments

[Review] Revolutionary Practice: Kaitlin Solimine’s Empire of Glass

February 10, 2018 by t - 0 comments

[Review] Shifting Terrains: Movement and Identity in Lachlan Brown’s Lunar Inheritance

February 10, 2018 by t - 0 comments

[Review] Eloquence, Anger, Sincerity: Henry Wei Leung’s Goddess of Democracy: An Occupy Lyric

February 5, 2018 by t - 1 Comment

[Review] Three Vietnamese Voices in Australia: Poems of Lê Văn Tài, Nguyễn Tôn Hiệt & Phan Quỳnh

February 5, 2018 by t - 0 comments

[Review] Rich and Varied: Richard Berengarten’s Changing

February 5, 2018 by t - 1 Comment

[REVIEW] “The Recipe for Embracing Biformity: Ang Lee’s Eat Drink Man Woman” by Amanda Cattel

October 28, 2017 by t - 0 comments

Cha — Call for Submissions — Issue 39 (March 2018)

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    [REVIEW] "Peripheral Visions: Hook and Eye: Stories from the Margins" by Isabelle Lim
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    [REVIEW] "Teo You Yenn's This is What Inequality Looks Like" by Wei Ting Jen
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    Jeanette Winterson writes about Italo Calvino's "The Night Driver"
  • Cha Review of Books & Films
    Cha Review of Books & Films
  • [EXCLUSIVE] "Kidnapping a Beloved Ancestor from Their Home Timeline: On Translating Chinese Poets from the Tang and Song Dynasties" by Joshua Ip
    [EXCLUSIVE] "Kidnapping a Beloved Ancestor from Their Home Timeline: On Translating Chinese Poets from the Tang and Song Dynasties" by Joshua Ip
  • One-Day Literary Writing Lodge in Hong Kong Voices (15 December 2018)
    One-Day Literary Writing Lodge in Hong Kong Voices (15 December 2018)
  • "A letter to my son written outside of Legco at 4 am, Wednesday Morning, June 12" by Jason G. Coe
    "A letter to my son written outside of Legco at 4 am, Wednesday Morning, June 12" by Jason G. Coe
  • [REVIEW] "Critical Social Commentary of Modern Japan: A Review of Yū Miri's Tokyo Ueno Station" by Susan Blumberg-Kason
    [REVIEW] "Critical Social Commentary of Modern Japan: A Review of Yū Miri's Tokyo Ueno Station" by Susan Blumberg-Kason
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    About
  • [REVIEW] "Unambiguous Immediacy: A Review of Tash Aw's We, the Survivors" by Marc de Faoite
    [REVIEW] "Unambiguous Immediacy: A Review of Tash Aw's We, the Survivors" by Marc de Faoite




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